Art in Britain 1950-2000 – 'This is Tomorrow' (Part 2)
Time: 10:30 - 12:30
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
This course has now started
Course Code: VB655
Duration: 5 sessions (over 5 weeks)
What is the course about?
A decade after the end of the Second World War, the exhibition, ‘This is Tomorrow’ opened at the Whitechapel Gallery in London in 1956. A radical group exhibition in terms of ideas, presentation and thinking, it introduced the work of a new generation of artists to the British public. This course takes its inspiration from that moment in the mid 20th century when many artists questioned the legacy of earlier British art by taking experimental approaches in response to the changed and changing world.
In Part Two of this course, we will explore the practice of selected artists working in Britain from 1980 and continuing up to the period of the ‘YBAs’ at the start of the new millennium. Who were the artists who had challenged the status quo? How did they use new materials or media in their work? How did their work reflect the social, cultural and political concerns of the time?
Each week, the course will focus on the work of two artists or artist groups from each decade. These will include artists working in a range of media, from painting and sculpture to mixed media and photography, whose trailblazing practice and experimental approach have contributed to a more inclusive understanding of British art today. Artists featured will include the BLK Art Movement, Sonia Boyce, Sutapa Biswas, Susan Hiller, Helen Chadwick, Cerith Wyn Evans, Chris Ofili and Gillian Wearing.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
-A focused study of the work of up to two artists or artist groups each week.
-An overview of some of the social and cultural issues that influenced the art of each decade.
-We will investigate what was visionary and forward-thinking about each artist’s work.
What will I achieve?
By the end of this course you should be able to...
-Identify some of the social, political or cultural issues that influenced the work of at least one artist’s work from each decade.
-Explain the working style and use of media by at least one artist from each decade.
-Describe formal visual elements or artistic styles of 2-3 artworks studied on the course.
What level is the course and do I need any particular skills?
This course is suitable for all levels.
You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information, and will be invited to take part in group discussion.
How will I be taught, and will there be any work outside the class?
You will be taught online with slide presentations and group discussions. Handouts of suggested reading and web resources will be provided by your tutor to support your learning on the course; these handouts will be available online/digitally for download, not printed out for you.
Are there any other costs? Is there anything I need to bring?
You might wish to purchase a notebook for taking notes. You might wish to buy some of the books on any reading list provided.
When I've finished, what course can I do next?
VB519 Collecting for the People: A History of Public Collections of Modern and Contemporary Art in Britain
VB536 Feminism in Modern and Contemporary Art.
Chantal Condron has worked widely in the public and private arts sector for over 25 years including at the Government Art Collection, Tate, Sotheby's, Visiting Arts and University of London Library. She holds a BA in History of Art & Architecture from the University of East Anglia; and an MA in History of Art & Archaeology from SOAS, University of London. Chantal is currently the curator of public engagement at the Government Art Collection where her recent projects include delivering the public programme for Ways of Seeing, the loan of almost 70 artworks to unusual public spaces in Waltham Forest London Borough of Culture. As curator of modern and contemporary art, she led art programmes at the University of Hull, Whitechapel Gallery, Birmingham Museum & Art Gallery and Ulster Museum, Belfast; and she has presented art talks widely in the UK and abroad. In 2019, her book, 'Peter Hedegaard', the first monograph on the Danish abstract artist, was published by Rocket Gallery, London.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.