A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.
Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!
What will we cover?
• Exploring ways of seeing to question - what is drawing? • Drawing from a variety of sources including observation and the imagination. • Experimental use of a variety of traditional and unconventional drawing materials. • A range of creative approaches to mark-making.
What will I achieve? By the end of this course you should be able to...
• Use a range of drawing exercises to open up new imagery and ideas. • Identify at least two new drawing techniques that you can apply in future. • Manage the challenges of working quickly and responsively to a timed brief. • Identify areas of potential in your exploratory or incomplete drawings.
What level is the course and do I need any particular skills?
This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks.
You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.
How will I be taught, and will there be any work outside the class?
Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.
Are there any other costs? Is there anything I need to bring?
All basic drawing materials and resources are provided as part of this course.
When I've finished, what course can I do next?
Depending on your starting point, you may like to take: Extended Drawing for Artists and Makers (advanced), Drawing 2 or 3, Draw, Paint, Print, Introduction to Printmaking, a life-drawing, portrait or one of the Drawing at the Museum courses.
Charles is an artist, designer and theorist with over twenty-five years experience; initially as a freelance illustrator working for major publishers and magazines, and for two decades as Creative Director of an award-winning west-end design agency. Greatly experienced himself as an adult learner, he was an art and design graduate first in the 1980’s but then returned to university – whist working full-time – to gain a First Class degree in architecture followed by a Master’s (with distinction) in architectural theory. He now divides his time between printmaking, small architectural projects and since 2011 teaching a range of subjects at CityLit: including cultural history and theory to creative practitioners, interior design and drawing. He says: “Teaching is the most rewarding experience I have had in a long career in the world of art and design. There is really nothing to compare with the complete engagement of a group of learners in full spate!” Summer also finds Charles afloat, teaching sailing and racing his own small boat. For more information go to www.studiochacha.co.uk and #studio_chacha.uk
Mario Lautier Vella is a cross-disciplinary, award-winning artist who began his art career at City Lit. After completing a number of short courses in drawing, painting, printmaking, sculpture and textiles, Mario went on to do the two-year City Lit Fine Art course before going back to university to gain his Masters degree. Mario regularly exhibits in the UK and abroad and his work can be found in private collections around the world. Mario has enjoyed teaching at City Lit since 2011. For more info go to mariolautiervella.com
Joe Richardson is a multi-disciplinary artist working in painting, drawing, collage, video, print and sculpture. Since graduating from his MA in Fine Art at Central Saint Martins in 2018, Joe has worked regularly taught at Foundation and Undergraduate level as well as working with Under 18s. Joe is dedicated to encouraging learners to discover new creative approaches to making, exploring their own interests in relation to art and design, and teaching methods and techniques that help to form the foundation of students' creative careers. Joe has undertaken residencies in Beijing, China and Stokkoya, Norway to develop his collaborative and flexible practice. He currently has a permanent collection of video works on display at Universal Music, Four Pancras Square, and has recently held a solo show at CineWindow Winsford and a duo exhibition at FIVE YEARS, London.
Rod JudkinsSee moreSee less
Rod Judkins is an artist and writer. He gained an MA at the Royal College of Art and has had numerous one man exhibitions across the world. He has also exhibited at Tate Britain, The National Portrait Gallery and The Royal Academy. He lectures on the subject of creativity at universities and to businesses around the world. His first book, Change Your Mind: 57 Ways to Unlock Your Creative Self and his second book, The Art of Creative Thinking, were international best sellers, with sales in hundreds of thousands and have been translated into over fifteen languages. He has delivered creative thinking workshops and talks to some of the worlds top companies such as Apple, Google, Bombay Sapphire and Samsung and to Medical Science students at University College London in The Royal Free Hospital for the last few years.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.
product
https://www.citylit.ac.uk/50-drawings-in-a-day23463950 drawings in a dayhttps://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056.jpg129129GBPInStock/Courses/Courses/Art & design/Courses/Art & design/Drawing/Courses/Art & design/Drawing/Drawing techniques & processes/Courses/vm/Summer courses/Summer courses in art & design2285113211481150135631228511321148165313457A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.164.7https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img2-vh056.jpghttps://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img4-vh056_-1080.jpg249427950 drawings in a day129129https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_5.jpgInStockDaytimeTueKeeley StreetAvailable coursesOne-off onlyWeekday2026-06-30T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJun 2026Art & designVH32812912950 drawings in a day129129129Mario Lautier Vella50-drawings-in-a-day/vh328-2526A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-06-30 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.Depending on your starting point, you may like to take:<br/>Extended Drawing for Artists and Makers (advanced), Drawing 2 or 3, Draw, Paint, Print, Introduction to Printmaking, a life-drawing, portrait or one of the Drawing at the Museum courses.DrawingDrawing techniques & processesvirtual249428250 drawings in a day129129https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_6.jpgInStockDaytimeSunKeeley StreetAvailable coursesOne-off onlyWeekend2026-07-26T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJul 2026Art & designVH84512912950 drawings in a day129129129Joe Richardson50-drawings-in-a-day/vh845-2526A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-07-26 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.Depending on your starting point, you may like to take:<br/>Extended Drawing for Artists and Makers (advanced), Drawing 2 or 3, Draw, Paint, Print, Introduction to Printmaking, a life-drawing, portrait or one of the Drawing at the Museum courses.DrawingDrawing techniques & processesvirtual249428550 drawings in a day129129https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_4.jpgInStockDaytimeMonKeeley StreetAvailable coursesOne-off onlyWeekday2026-06-15T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJun 2026Art & designVH88812912950 drawings in a day129129129Charles Chambers50-drawings-in-a-day/vh888-2526A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-06-15 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.Depending on your starting point, you may like to take:<br/>Extended Drawing for Artists and Makers (advanced), Drawing 2 or 3, Draw, Paint, Print, Introduction to Printmaking, a life-drawing, portrait or one of the Drawing at the Museum courses.DrawingDrawing techniques & processesvirtual303005550 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_57.jpgInStockDaytimeSatKeeley StreetAvailable coursesOne-off onlyWeekend2026-09-26T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allSep 2026Art & designVH05614914950 drawings in a day149149149Joe Richardson50-drawings-in-a-day/vh056-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-09-26 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual303009150 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_58.jpgInStockDaytimeSunKeeley StreetAvailable coursesOne-off onlyWeekend2026-11-22T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allNov 2026Art & designVH84314914950 drawings in a day149149149Rod Judkins50-drawings-in-a-day/vh843-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-11-22 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual306751050 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_59.jpgInStockDaytimeSatKeeley StreetAvailable coursesOne-off onlyWeekend2027-05-15T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allMay 2027Art & designVH32114914950 drawings in a day149149149Mario Lautier Vella50-drawings-in-a-day/vh321-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2027-05-15 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual306751650 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_60.jpgInStockDaytimeTueKeeley StreetAvailable coursesOne-off onlyWeekday2027-06-29T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJun 2027Art & designVH32814914950 drawings in a day149149149Mario Lautier Vella50-drawings-in-a-day/vh328-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2027-06-29 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual306772350 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_62.jpgInStockDaytimeSunKeeley StreetAvailable coursesOne-off onlyWeekend2027-07-25T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJul 2027Art & designVH84514914950 drawings in a day149149149Joe Richardson50-drawings-in-a-day/vh845-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2027-07-25 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual306772950 drawings in a day149149https://www.citylit.ac.uk/media/catalog/product/5/0/50-drawings-in-day-img1-vh056_61.jpgInStockDaytimeMonKeeley StreetAvailable coursesOne-off onlyWeekday2027-06-14T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allJun 2027Art & designVH88814914950 drawings in a day149149149Charles Chambers50-drawings-in-a-day/vh888-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2027-06-14 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesvirtual129,149129,149129,149VH328,VH845,VH888,VH056,VH843,VH321NONETue,Sun,Mon,Sat15/06/2610:00 - 17:0010:0017:001 session1One-off onlyDaytimeWeekday,WeekendKSKeeley StreetMario Lautier Vella,Joe Richardson,Charles Chambers,Rod JudkinsBeginners, Some experience, Advanced, Suitable for allAvailable courses2026-06-30T00:00:00+00:00,2026-07-26T00:00:00+00:00,2026-06-15T00:00:00+00:00,2026-09-26T00:00:00+00:00,2026-11-22T00:00:00+00:00,2027-05-15T00:00:00+00:00,2027-06-29T00:00:00+00:00,2027-07-25T00:00:00+00:00,2027-06-14T00:00:00+00:00Jun 2026,Jul 2026,Sep 2026,Nov 2026,May 2027,Jun 2027,Jul 2027Art & design129129,14950 drawings in a day50-drawings-in-a-day/vh328-2526,50-drawings-in-a-day/vh845-2526,50-drawings-in-a-day/vh888-2526,50-drawings-in-a-day/vh056-2627,50-drawings-in-a-day/vh843-2627,50-drawings-in-a-day/vh321-2627,50-drawings-in-a-day/vh328-2627,50-drawings-in-a-day/vh845-2627,50-drawings-in-a-day/vh888-2627A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.0000-Available|2026-06-15 00:00:00The aim is to generate a series of rapid drawings, and to free up your drawing style and use of materials, keeping productivity fluid and open. The drawing day will include shifts in pace and emphasis. You will be carefully guided through each transition, and given clear parameters. Some exercises will be closely directed, others will encourage you to apply your own reasoning and ideas. We will use traditional and contemporary approaches to drawing, so come prepared to observe, deconstruct, invent, enlarge, reduce, copy and collaborate – but most of all be prepared to draw intensively and responsively!A high energy programme of directed and self-directed drawing projects, with rapid shifts in materials, scale, subject and focus. Strictly no discards - come ready to play, risk, invent and discuss. For those with some drawing experience.• Exploring ways of seeing to question - what is drawing?<br/>• Drawing from a variety of sources including observation and the imagination.<br/>• Experimental use of a variety of traditional and unconventional drawing materials.<br/>• A range of creative approaches to mark-making.• Use a range of drawing exercises to open up new imagery and ideas.<br/>• Identify at least two new drawing techniques that you can apply in future.<br/>• Manage the challenges of working quickly and responsively to a timed brief.<br/>• Identify areas of potential in your exploratory or incomplete drawings.This an intermediate one-day course for students with some experience of drawing. You should be open to using a variety of drawing materials, such as ink, charcoal, graphite and chalks. <br/><br/>You should be able to follow verbal and written instructions, demonstrations, hand-outs and health and safety information. You may be encouraged to take short written notes for your own use and take part in group discussions.Tutor briefings and demonstration, set practical tasks, individual and collaborative work, peer reviews and whole-group discussion.All basic drawing materials and resources are provided as part of this course.Depending on your starting point, you may like to take:<br/>Extended Drawing for Artists and Makers (advanced), Drawing 2 or 3, Draw, Paint, Print, Introduction to Printmaking, a life-drawing, portrait or one of the Drawing at the Museum courses.,<p>Depending on your starting point and interests you may like to take <em>Drawing and painting from the imagination</em>, or <em>Draw, paint, print</em><em>. </em>50 Drawings in a day can also lead into <em>Life drawing: mixed media approaches</em>, <em>Life drawing after work</em>, or one of the Drawing at the Museum courses. Students with some previous experience may also consider applying for the year-long drawing course, <em>Extended drawing for artists and makers</em>.</p>DrawingDrawing techniques & processesconfigurable