Art & Design Courses - Online & in London  

Collage is an exciting, accessible and creative medium. Experiment with a rich variety of materials and found images to make vibrant work experimenting with surface, form, colour and pattern, inspired by artists who make effective use of this way of working.

The archive is an invaluable resource for artists and designers, without some version of which it is virtually impossible to engage in practice in any systematic way. Whether it takes the form of sketchbooks, photographs, found items and clippings, internet bookmarks, or any combination of these and other items, the archive is a tool for organising, examining and reflecting. In this professional practice module, we will look at how to create and access physical and online archives, and how to use them in both research and practice, creating and organising personal archives. Many artists use the archive as a form of art practice: we will examine this, and how it differs from other forms of archiving. We will look at multiple approaches to storing information, organising it for accessibility, and working with the tools and perspectives of the archivist or curator, as appropriate to one’s individual practice.

Build your confidence and skills in outdoor watercolour painting in a variety of central London locations. You will be introduced to watercolour mixing and mark making in relation to painting the urban landscape. This course can be seen as a refresher or for students who have had a minimum amount of watercolour experience.

Recent advances in technology and communications provide creative practitioners and communities with opportunities that, in historical terms, are unique. We have never before had the capacity to react to events and engage with issues that, in some cases for the very same reasons, can no longer be confined, in terms of their impact, to the location in which they occur. Consider, for instance, climate change, Coronavirus, the BLM movement and the global reaction to inequality and injustice. Artists and designers have at their disposal, through these same resources, and the full range of traditional media, the capacity to respond to these developments, and to effect change. With this, inevitably, comes the imperative of social responsibility. This workshop looks at how creative individuals engage with notions of collaborative practice (both via online/distributed models and through physical media/interactions) in the production or propagation of ideas, movements, memes or artefacts, including with those one has possibly never met, and perhaps does not even know. Besides collaboration in making, we consider the potential of social/viral media as a disruptor or organisational tool, (for example in events, happenings, flash-mobs, and organised protests or movements such as Anonymous, Occupy, XR, BLM and others).