Art & Design Courses - Online & in London  

Come and get inky with this fun one day workshop exploring printmaking. This course will give you a basic understanding of monoprinting, relief printing and screen printing and is aimed at those who would like to explore different printmaking techniques before going on to other courses.

Cyanotype is a photographic printing process which produces a beautiful deep blue print from a variety of artwork, including drawings, photographs, physical objects or combinations of all of these. All levels welcome.

Exploring the pleasure and challenge of sketchbooks; learn and improve your drawing skills and 'ways of seeing' and understanding, working from an exciting range of artworks in Tate modern.

Do you have boxes of old prints, negatives or transparencies gathering dust that you'd love to have digitised? Learn how to get your archive onto your computer using different methods from flatbed and film scanners to a digital camera.

Learn about the structure and function of narrative, and find out how it relates to your creative practice. In this workshop we will consider film, animation, moving image or other time-based practices, primarily, in which there is a clear and accessible connection to the unfolding of meaning over a linear (or non-linear) sequence, but we may also discuss examples across potentially any creative discipline, and other forms of expression. We will look at principles of narrative and narrative structures in film, the ‘conventions’ of storytelling across a range of examples, and how these have been used or subverted within the form. Storytelling is fundamental to human civilisation: across all cultures, narrative plays a central role in our understanding of our place in the world, and addressing profound questions about our existence. Children learn through stories; cultures cohere through shared narratives. We will consider the role of narrative as a fundamentally important pillar in underpinning societies, belief systems, and values, and why an awareness of these relationships is increasingly important in these ‘unprecedented’ times.

This course explores how photography is used on social media to share work, build a following, and create and influence an identity.

The archive is an invaluable resource for artists and designers, without some version of which it is virtually impossible to engage in practice in any systematic way. Whether it takes the form of sketchbooks, photographs, found items and clippings, internet bookmarks, or any combination of these and other items, the archive is a tool for organising, examining and reflecting. In this professional practice module, we will look at how to create and access physical and online archives, and how to use them in both research and practice, creating and organising personal archives. Many artists use the archive as a form of art practice: we will examine this, and how it differs from other forms of archiving. We will look at multiple approaches to storing information, organising it for accessibility, and working with the tools and perspectives of the archivist or curator, as appropriate to one’s individual practice.

An introduction to some of the main ways of thinking about photography, based on cultural theory, politics, philosophy and semiotics.

Recent advances in technology and communications provide creative practitioners and communities with opportunities that, in historical terms, are unique. We have never before had the capacity to react to events and engage with issues that, in some cases for the very same reasons, can no longer be confined, in terms of their impact, to the location in which they occur. Consider, for instance, climate change, Coronavirus, the BLM movement and the global reaction to inequality and injustice. Artists and designers have at their disposal, through these same resources, and the full range of traditional media, the capacity to respond to these developments, and to effect change. With this, inevitably, comes the imperative of social responsibility. This workshop looks at how creative individuals engage with notions of collaborative practice (both via online/distributed models and through physical media/interactions) in the production or propagation of ideas, movements, memes or artefacts, including with those one has possibly never met, and perhaps does not even know. Besides collaboration in making, we consider the potential of social/viral media as a disruptor or organisational tool, (for example in events, happenings, flash-mobs, and organised protests or movements such as Anonymous, Occupy, XR, BLM and others).

Explore the pleasure and challenge of sketchbooks: learn and improve your drawing skills and ‘ways of seeing’ and understanding by working from some of the iconic artworks at Tate Britain.

This summer why not come and get inky with this fun one day workshop exploring printmaking. This course will give you a basic understanding of monoprinting, relief printing and screen printing and is aimed at those who would like to explore different printmaking techniques before going on to other courses.