Art & Design Courses - Online & in London  

Already know the basics of photography but want to take things further? Refresh your knowledge, learn more advanced skills and develop your creative ideas, with an established professional photographer on hand for technical guidance and creative inspiration.

The immediacy and versatility of ink and wash is perfect for those sketching on location, for designers and for students interested in watercolour techniques. Take the opportunity to explore the basic techniques of this exciting process.

Learn to visualise and model interior spaces and 3D forms with this easy-to-use and intuitive program. It is a perfect addition and complement to our interior and/or garden design courses. The software is very affordable and available for home use on a PC or Mac.

Children’s book illustration: developing personal projects will support you in both the research, development and production of your own children’s book project. Develop your own style, working with a variety of media and exploring design and layout possibilities. Image - Harriet Lynas.

These studio access sessions are tutor led workshops, designed to offer a more flexible way for you to learn using the facilities of the printmaking- studio. You will have access to tutor guidance when needed, but these sessions are specifically aimed at students who want to pursue personal projects and independent working.

Does every creative act have meaning? Is there a statement – conscious or unconscious – inherent in everything we do as artists? Should we interpret or analyse what we see, what we do, what we’ve done? In this one-day workshop, we will examine a range of specific works, considering the question of whether and how meaning has been embedded (intentionally or otherwise) and can be identified and interpreted. This will, to some degree, touch on how individuals and societies make and ascribe meaning, perhaps as an attempt to process and come to terms with, for example, otherwise seemingly arbitrary events like a natural catastrophe or suffering. We will discuss and workshop these themes in the larger group, draw on examples presented, and the experiences of the members in the group. Other questions that may be considered include: discerning meaning as an attempt to find order in chaos, and whether or what we might lose by attempting to impose meaning, by attempting to explain within the confines of critical analysis, that which may, in fact, be critical to the character or intention of a work of art.

As artists and designers, we generally tend to observe a number of fundamental 'rules' when working with digital media for print-based or other forms of 2D output. These relate to steps or settings for proceses such as scanning, saving, resolution, image or data format, colour modes, compression... To a certain extent, much of this is received knowledge, and we don't necessarily know why we follow these rules. Knowing what they are based on, and why, is, however, fundamental to technical proficiency, and expertise, and knowing what these principles are based on allows us not only to produce work to professional standard, but also to exploit them to their full creative potential. This workshop will be of value to any visual artist who uses digital technology in their creative practice, from painters and printmakers to photographers and graphic designers. Coverage includes: principles and concepts underpinning digital imaging for print/static delivery: pixel/vector; resolution, scalability, application; acquisition, modes, formats and real-world constraints; file sizes/compression/data integrity; relation to physical output (size, resolution, process).