Autobiography into fiction: a taster
Time: 10:30 - 16:30
Location: Keeley Street
What is the course about?
This short course will introduce you to some techniques for transforming personal experience into fiction. You'll have the opportunity to improve your writing skills as well as your ability to give and use constructive criticism. The issues around using autobiographical material in fiction will be discussed.
Students say: "Provides a very good grounding in the basics"; "Good group atmosphere"; "Very good teaching and the exercises were inspiring"; "Really well-structured and great to have covered so many aspects"; "Enjoyed greatly and would like to do more.".
What will we cover?
- How to fictionalise, including: how to start, how to focus, and find a story-line and theme
- Recasting and changing elements of the original “true” story including fictionalising people and events
- Using different voices
- Exploring dreams and fantasy as a way to fictionalise
- How to stay in touch with the emotional truth within the fictionalised version while navigating the problems and benefits of using personal material in fiction
- How to use journals.
What will I achieve?
By the end of this course you should be able to...
- Respond to, and assess, pieces of writing with sensitivity
- Write autobiographically-based fiction more effectively and confidently
- Identify and use some techniques for transforming personal material into fiction
- Identify and appreciate some of the issues around using autobiographical material in fiction.
What level is the course and do I need any particular skills?
This is an introductory course that also welcomes more experienced writers of fiction who are interested in writing fiction from life. Fluency in written and spoken English is essential.
How will I be taught, and will there be any work outside the class?
- Presentations by the tutor
- Writing exercises giving you practice in transforming personal material into fiction
- Class discussion of techniques and of the issues, problems and benefits of using personal material in fiction.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
No additional costs. Please bring writing materials.
When I've finished, what course can I do next?
City Lit runs a 6-week Autobiography into fiction course in Term 2 (January) at the intermediate level. Alternatively, you can choose to progress to another intermediate course such as Writing fiction, Short story writing, or Starting your novel. We also offer a range of courses in creative non-fiction if you are interested in life writing.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Vicky has been teaching creative writing at City Lit since 2018. She has also taught for the Open University, London South Bank University and the University of Greenwich, and she reads for the manuscript assessment agency The Literary Consultancy. Her short fiction has appeared in new writing anthologies published by Picador, Granta, Duckworths, Serpents’ Tail and Bloomsbury. Her nonfiction essay 'Into the Valley' was mentioned in Best American Essays, 2013. Her short story collection 'Live Show, Drink Included' was published by Holland Park Press in 2018 and is long-listed for the £10,000 Edge Hill Prize. One of the stories is in Best British Short Stories, 2019.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.