Courses in London & Online

This course explores the transformative period of Russian history from 1860 to 1924, encompassing the autocratic rule of the Tsars, the revolutionary upheavals of 1905 and 1917, the chaos of the civil war, and the consolidation of the Bolshevik regime. Students will examine key events, figures, and ideologies that shaped modern Russia, delving into the complexities of political, social, and economic changes during this era.



Please note: this course includes much of the material covered in previous Russian Revolution courses at the City Lit. Moreover this course is taught at an introductory level. Tutor: Zoe Quinn.

This class explores the work of Leonard Cohen, examining his poetry, song, prose and persona in the context of the literary and musical traditions that shaped his art. We delve into Cohen’s meditations on life and the modern world through his absorption and reworking of a rich range of cultural influences.

What do we mean by ‘literary fiction’? What expectations do we bring to the novels we read? Do we really ‘escape’ when we enter fictional worlds? These are just some of the questions addressed in a course which focuses on the analysis of prose fiction. Reading texts as short as one-sentence ‘flash fiction’ to complete short stories, it engages with writing from a wide range of periods and authors, paying close attention to narrative techniques and their effects.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.

We explore the intersection of film and philosophy, engaging with the works of influential thinkers and film makers. Together, we discover how cinema opens new possibilities to examine enduring philosophical questions concerning the mind, reality, identity, and ideology.

'Train the Trainer' is a practical 2 day course designed to help you gain ideas for effective facilitation and managing groups. It is suitable if you are thinking of becoming a trainer and want to gain confidence in planning and facilitating the training, or if you are an experienced trainer and want to refresh your practice. You will leave with some tools and techniques that will ensure your training is engaging and productive for your learners. On day 2 you will have the opportunity to deliver a short micro-training or interactive presentation. You are required to attend both days of this course.

Discover the history, politics and intellectualism that fuelled the Italian Renaissance. Explore the art of Giotto and his peers from a new perspective.

Character voices aren’t just for cartoons. Learn the tools and techniques you need to create new and unique character voices or to accurately imitate a historical or contemporary voice for animation, stage and screen. This course will be delivered in the media studio.