British folk music: a rough guide
Time: 13:15 - 15:15
Location: Keeley Street
- Course Code: MD809
- Dates: 17/01/25 - 28/03/25
- Time: 13:15 - 15:15
- Taught: Fri, Daytime
- Duration: 10 sessions (over 11 weeks)
- Location: Keeley Street
- Tutor: Toby Manning
Course Code: MD809
Duration: 10 sessions (over 11 weeks)
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
What is the course about?
Learn how post-war British folk drew on the rich heritage of British traditional songs of magic, lust and murder. Artists studied will include: Shirley Collins, Martin Carthy, Fairport Convention, Steeleye Span, the Unthanks and (Trad.).
What will we cover?
- The UK Folk Revivals: Francis James Child and Cecil Sharp etc in the 1890s/1900s; Ewan McColl and AL Lloyd in the 1940s/1950s; rise of folk clubs in late 50s/60s; impact of Dylan; folk music and the counterculture.
- Shirley Collins (and Dolly Collins)
- Martin Carthy (and Dave Swarbrick)
- Ann Briggs, Bert Jansch, John Renbourn and The Watersons
- British Electric Folk 1: Fairport Convention
- British Electric Folk 2: Steeleye Span
- British Electric Folk 3: Mr Fox, The Albion Band, Trees, 5 Hand Reel.
- Murder, Lust and Magic: studies of four key British ballads
- The ‘lost’ years – the 80s and 90s: Martin Simpson, June Tabor and Dick Gaughan
- Millennial Folk Revival: Kate Rusby, Eliza Carthy, Lisa Knapp, The Unthanks, Jim Moray, Bellowhead, Chris Wood etc.
What will I achieve?
By the end of this course you should be able to...
- Relate the key stages in the history of British folk music
- Isolate several key British folk singers/act and albums.
- Begin to characterise folk songs into groups, genres and styles.
What level is the course and do I need any particular skills?
All you need is a basic appreciation of music in general and enthusiasm for British folk music in particular, and an open mind! You do not need to be able to read music or understand musical terminology (though your teacher will introduce some easy musicology).
All texts – handouts, PowerPoint presentations - will be in English.
How will I be taught, and will there be any work outside the class?
Tutor presentation and explanation, including handouts
Guided listening and watching of audio and audio-visual examples
Class discussion and debate
Listening and reading outside class is encouraged and once enrolled further online resources will be available.
Are there any other costs? Is there anything I need to bring?
Please bring a notebook and pen.
You may wish to buy some of the music or books recommended in class.
When I've finished, what course can I do next?
To find out more about music history classes Music history courses in London and online which lists our full programme of classes ordered by term, and by day of the week. You may then click on each title to read the full course outline.
Toby teaches music appreciation and history at City Lit. He is a longtime music journalist - having worked for NME, The Word, Q and The Quietus - and writer on pop culture. He is the author of the Rough Guide to Pink Floyd (2006) and Mixing Pop and Politics (2024), and a contributor to The Velvet Underground: What’s Going On (2022) and Talking Heads (2025), as well as to the journals Key Words and Red Wedge. Toby has taught at the University of Birmingham, Brunel University and Queen Mary University, and has given talks at the Barbican, the Victoria and Albert Museum (as part of David Bowie Is…) and at St George’s Hall, Blackburn.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.