Caravaggio and his world

Course Dates: 10/05/21 - 28/06/21
Time: 10:00 - 12:00
Location: Online
Explore the life and world of Caravaggio in the context of Counter-Reformation and baroque aesthetics; contemporaries and rivals like Giovanni Baglione, the Carracci, Orazio Gentileschi; and followers like Artemisia Gentileschi and the Dutch Caravaggisti.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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SKU
175314
Full fee £169.00 Senior fee £135.00 Concession £103.00

This course has now started

Course Code: VB572

Started Mon, day, 10 May - 28 Jun '21

Duration: 7 sessions (over 8 weeks)

Or call to enrol:020 7831 7831

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

Caravaggio’s world was full of peril and intrigue. Explore his output in Milan and the way that Counter-Reformation Rome (from the Council of Trent impact on baroque aesthetics to sex work, policing, and patronage) impacted on Caravaggio’s life and art. Discover the contributions of artistic and personal rivals like Giovanni Baglione and the Carracci, and friends like Orazio Gentileschi. And follow his journey after Rome until his death through key works. Explore his legacy from the seventeenth century to contemporary artists.

This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
- Earphones/headphones/speakers.
We will contact you with joining instructions before your course starts.

What will we cover?

• Life in Counter-Reformation Rome from artistic patronage to policing
• Caravaggio’s career in Milan, Rome, Naples, Sicily etc. and key works
• Caravaggio’s circle of friends, artist rivals, patrons, models
• Caravaggio’s legacy then and now.

What will I achieve?
By the end of this course you should be able to...

• Discuss the impact of counter-Reformation Rome on the work and life of Caravaggio
• Identify and analyse one key work from each of the periods of Caravaggio’s career
• List three key figures in Caravaggio’s circle
• Describe the legacy of Caravaggio.

What level is the course and do I need any particular skills?

This course is suitable for all levels.
You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information, and will be invited to take part in group discussion.

How will I be taught, and will there be any work outside the class?

You will be taught online with slide presentations and group discussions. Handouts will be provided by your tutor to support your learning on the course; these handouts will be available online/digitally for download, not printed out for you.

Are there any other costs? Is there anything I need to bring?

You might wish to purchase a notebook for taking notes. You might wish to buy some of the books on any reading list given out in class.

When I've finished, what course can I do next?

You might also be interested in:
• VB863: Study trip: Naples and Caravaggio
• VB522: Twenty-four modern & contemporary artists you should know
• VB867: Women in art 1400-1800
• VB126: Art and identity: from the High Renaissance to the Reformation.

Marie-Anne Mancio

Dr Marie-Anne Mancio trained as an artist before gaining a D.Phil. from the University of Sussex for her thesis ‘Maps for Wayward Performers: feminist readings of contemporary live art practice in Britain’. She is an accredited NADFAS lecturer and has lectured on art, architecture, and cultural studies for Tate Modern, The Course, Art in London, London Art Studies, and the London Art Salon. She is an accredited Art Society lecturer. Fluent in Italian and French, she lectures on City Lit’s art history study trips abroad. She has led trips to Venice, Florence, Rome, Perugia, Assisi, Amsterdam, Paris, Madrid, and St. Petersburg. Since attaining an MPhil (Distinction) in Creative Writing from Glasgow University, her art practice has become primarily text-based, including a novel about four migrant women in antebellum America: ‘Whorticulture’.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.