Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. Break week: 04 Jun 2027
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This is the third of three modules of Exploring Opera, but each module can be taken as a stand-alone course. In Exploring Opera 3 we focus on modern opera from the mid-19th century to the early 20th century.
What will we cover?
- Wagner’s idea of the Gesamtkunstwerk [total work of art] - Italian opera of Verdi - Opera and Nationalism: opera in Russia - 20th-century disruptions: Strauss, Berg et al.
What will I achieve? By the end of this course you should be able to...
- Discuss individual operas and their social and political context - Understand the circumstances of each opera’s composition and first performance - Discuss the place of these operas in the context of their composers’ lives and work.
What level is the course and do I need any particular skills?
This course is for those with some familiarity in listening to a particular composer or opera, having taken a previous beginners course, or a willingness to undertake short reading tasks between sessions. We may look at music scores and identify key features of music notation, but this will not be the main focus of the studies.
How will I be taught, and will there be any work outside the class?
Tutor presentations and explanations, practical demonstrations on the piano, guided listening and watching, class discussion and debate. Occasional optional short preparation tasks, such as listening to an aria or reading about a composer, librettist or style, may be set from time to time. Listening and reading outside class is encouraged, and resources and information will be available via Google Classroom.
Are there any other costs? Is there anything I need to bring?
Please bring a notebook and pen to make your own notes. If you would like to read a textbook alongside this course we recommend The Oxford Illustrated History of Opera by Roger Parker (OUP, 1994), but this is not essential for your enjoyment of the course. You may also wish to purchase some of the music books or recordings discussed in class; links to these materials will be available after each session. You may also wish to attend live performances.
We’re sorry. We don’t have a bio ready for the tutor of this class at the moment, but we’re working on it! Watch this space.
product
https://www.citylit.ac.uk/exploring-opera-3284322Exploring opera 3https://www.citylit.ac.uk/media/catalog/product/e/x/exploring-opera-3-md999-1024.jpg299299GBPInStock/Courses/Courses/Performing arts/Courses/Performing arts/Music/Courses/Performing arts/Music/Music history/Courses/Online courses228513141351136317311228513141351<p>Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. <strong>Break week: 04 Jun 2027</strong></p>44.83034426Exploring opera 3299299https://www.citylit.ac.uk/media/catalog/product/e/x/exploring-opera-3-md999-1024_5.jpgInStockDaytimeFriOnlineAvailable courses5-10 weeksWeekday2027-04-23T00:00:00+00:00Some experienceApr 2027Performing artsMD999299299Exploring opera 3239209299exploring-opera-3/md999-2627<p>Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. <strong>Break week: 04 Jun 2027</strong></p>0000-Available|2027-04-23 00:00:00<p>This is the third of three modules of Exploring Opera, but each module can be taken as a stand-alone course. In Exploring Opera 3 we focus on modern opera from the mid-19th century to the early 20th century.</p><p>Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. <strong>Break week: 04 Jun 2027</strong></p>- Wagner’s idea of the Gesamtkunstwerk [total work of art]<br/>- Italian opera of Verdi <br/>- Opera and Nationalism: opera in Russia<br/>- 20th-century disruptions: Strauss, Berg et al.- Discuss individual operas and their social and political context<br/>- Understand the circumstances of each opera’s composition and first performance<br/>- Discuss the place of these operas in the context of their composers’ lives and work.This course is for those with some familiarity in listening to a particular composer or opera, having taken a previous beginners course, or a willingness to undertake short reading tasks between sessions. We may look at music scores and identify key features of music notation, but this will not be the main focus of the studies.Tutor presentations and explanations, practical demonstrations on the piano, guided listening and watching, class discussion and debate. Occasional optional short preparation tasks, such as listening to an aria or reading about a composer, librettist or style, may be set from time to time.<br/>Listening and reading outside class is encouraged, and resources and information will be available via Google Classroom.Please bring a notebook and pen to make your own notes. If you would like to read a textbook alongside this course we recommend The Oxford Illustrated History of Opera by Roger Parker (OUP, 1994), but this is not essential for your enjoyment of the course.<br/>You may also wish to purchase some of the music books or recordings discussed in class; links to these materials will be available after each session. You may also wish to attend live performances.<p>*City Lit has a wide range of other <a href="https://www.citylit.ac.uk/courses/performing-arts/music/music-history" rel="noopener noreferrer" target="_blank">Music history courses</a>. For more information, visit our <a href="https://www.citylit.ac.uk/blog/music-history-your-guide-our-programme" rel="noopener noreferrer" target="_blank">Guide to the Music history programme</a>.</p><p>*You may also be interested in other areas of the Music programme such as <a href="https://www.citylit.ac.uk/blog/musicianship-music-theory-courses-city-lit" rel="noopener noreferrer" target="_blank">music theory</a>.</p><p>* Please contact the Music Department (<a href="mailto:music@citylit.ac.uk" rel="noopener noreferrer" target="_blank">music@citylit.ac.uk</a>) for further information and advice.</p>MusicMusic historyvirtual239299209MD999NONEFri23/04/27 - 02/07/2710:30 - 12:3010:3012:3010 sessions (over 11 weeks)105-10 weeksDaytimeWeekdayOnlineOnlineSome experienceAvailable courses2027-04-23T00:00:00+00:00Apr 2027Performing arts299299Exploring opera 3exploring-opera-3/md999-2627<p>Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. <strong>Break week: 04 Jun 2027</strong></p>0000-Available|2027-04-23 00:00:00<p>This is the third of three modules of Exploring Opera, but each module can be taken as a stand-alone course. In Exploring Opera 3 we focus on modern opera from the mid-19th century to the early 20th century.</p><p>Join us to explore the history of opera over three enjoyable terms. In this third term we’ll explore Verdi, Wagner and the early 20th century. <strong>Break week: 04 Jun 2027</strong></p>- Wagner’s idea of the Gesamtkunstwerk [total work of art]<br/>- Italian opera of Verdi <br/>- Opera and Nationalism: opera in Russia<br/>- 20th-century disruptions: Strauss, Berg et al.- Discuss individual operas and their social and political context<br/>- Understand the circumstances of each opera’s composition and first performance<br/>- Discuss the place of these operas in the context of their composers’ lives and work.This course is for those with some familiarity in listening to a particular composer or opera, having taken a previous beginners course, or a willingness to undertake short reading tasks between sessions. We may look at music scores and identify key features of music notation, but this will not be the main focus of the studies.Tutor presentations and explanations, practical demonstrations on the piano, guided listening and watching, class discussion and debate. Occasional optional short preparation tasks, such as listening to an aria or reading about a composer, librettist or style, may be set from time to time.<br/>Listening and reading outside class is encouraged, and resources and information will be available via Google Classroom.Please bring a notebook and pen to make your own notes. If you would like to read a textbook alongside this course we recommend The Oxford Illustrated History of Opera by Roger Parker (OUP, 1994), but this is not essential for your enjoyment of the course.<br/>You may also wish to purchase some of the music books or recordings discussed in class; links to these materials will be available after each session. You may also wish to attend live performances.<p>*City Lit has a wide range of other <a href="https://www.citylit.ac.uk/courses/performing-arts/music/music-history" rel="noopener noreferrer" target="_blank">Music history courses</a>. For more information, visit our <a href="https://www.citylit.ac.uk/blog/music-history-your-guide-our-programme" rel="noopener noreferrer" target="_blank">Guide to the Music history programme</a>.</p><p>*You may also be interested in other areas of the Music programme such as <a href="https://www.citylit.ac.uk/blog/musicianship-music-theory-courses-city-lit" rel="noopener noreferrer" target="_blank">music theory</a>.</p><p>* Please contact the Music Department (<a href="mailto:music@citylit.ac.uk" rel="noopener noreferrer" target="_blank">music@citylit.ac.uk</a>) for further information and advice.</p>MusicMusic historyconfigurable
13631351Music historyhttps://www.citylit.ac.uk/courses/performing-arts/music/music-history1/2/285/1314/1351/13631/Courses/Performing arts/Music/Music history
