Great musicians: Hollywood's secret singers

Discover the extraordinary vocal artists who shaped Hollywood musicals from behind the scenes.

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  • Start Date: 13 Jul 2027
    End Date: 13 Jul 2027
    Tue (Daytime): 13:30 - 15:30
    In Person
    Location: Keeley Street
    Duration: 1 session
    Course Code: MD701C
    Tutors:  Pauline Greene
    Full fee £39.00 Senior fee £39.00 Concession £39.00
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In stock
SKU
245697
Full fee £39.00 Senior fee £39.00 Concession £39.00

What is the course about?

This single‑session lecture explores the largely untold history of Hollywood’s “ghost singers”—the extraordinary vocal performers who dubbed the singing voices of film stars in many of the most iconic movie musicals of the 20th century. We will uncover how this practice developed, why studios relied on uncredited singers, and how these artists crafted the voices audiences came to associate with beloved stars. The session includes the story of Marnie Nixon, the most celebrated of Hollywood’s dubbing artists, and her work dubbing for Natalie Wood in West Side Story. Through guided listening, film excerpts, and historical context, we will reveal a hidden layer of Hollywood’s musical past.

What will we cover?

•    The rise of vocal dubbing in Hollywood’s Golden Age
•    Why studios used uncredited singers (voice types, image vs. sound, production pressures)
•    Key figures in Hollywood dubbing history:
•    Marnie Nixon (including West Side Story, The King and I, My Fair Lady)
•    Marni Merman, Betty Noyes, Bill Lee, and other influential voices
•    Ethics, contracts, and crediting: who got recognition (and who didn’t)
•    The lasting impact of ghost singers on Hollywood’s sound

What will I achieve?
By the end of this course you should be able to...

•    Understand the historical role of dubbing singers in Hollywood musicals
•    Identify key artists involved in major dubbing performances
•    Recognise how vocal dubbing shaped audience perceptions of film stars
•    Discuss Marnie Nixon’s contributions, including her work for Natalie Wood in West Side Story
•    Appreciate the cultural and artistic significance of these behind‑the‑scenes performers
 

What level is the course and do I need any particular skills?

No prior knowledge of film music or musical theatre history is required. The session is suitable for learners at all levels. A general interest in cinema, Hollywood history, or musical performance will be helpful but not necessary.

How will I be taught, and will there be any work outside the class?

Tutor presentation, guided listening and watching, class discussion. Course materials will be shared via Google Classroom, with recommendations to encourage further exploration after the course.

Are there any other costs? Is there anything I need to bring?

Please have a pen and notebook to make your own notes during class. You may wish to purchase some of the music books or recordings discussed in class; links to these materials will be available after each session. You may also wish to attend live performances.

When I've finished, what course can I do next?

City Lit offers a wide range of Music history courses. For more information, visit our Guide to the Music history programme. You may also be interested in related courses in Russian and Soviet history, language and culture.

Pauline Greene

Pauline Greene studied composition at Nottingham University and then composed, performed and was Musical Director with various theatre companies. She taught flute and composition, performing her music across the UK at various venues, including the Southbank Centre and the Edinburgh Festival, with her group The Concert Party, which she managed and directed. She has taught at the Universities of Middlesex and Hertfordshire, and ran the Music Access course at Morley College. She taught at Birkbeck from 1984-2023, moving from Music to Arts Management, and currently lectures on the MA in Events and Experience Management at Goldsmiths. She has given talks at the Royal Opera House, Wigmore Hall and Glyndebourne. At City Lit Pauline teaches a wide range of music history courses, with specialisms in opera, music for dance, theatre and film, musical analysis, and music since 1900. She is still involved in the organisation of small-scale charity concerts and one-off musical events, and she sings and plays with several small groups.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.