Introductory & general

Film studies

Enjoy a fresh look at big screen classics, ground-breaking titles and cult favourites featuring a cast of iconic names, former stars and the men and women who called the shots.

Check out our blog post on our new Cultureplex Ciné-Club, where once a week, for 12 weeks (and throughout the academic year in terms 2 and 3), we will watch and discuss film.

Study in-person, or online from the comfort of home, with classes that allow you to participate in discussions with fellow adult students and share your passion for Film as part of a learning community. We offer daytime, evening and weekend courses, both short and long. Our tutors are experts in their fields and experienced educators. Tutors share their knowledge and passion for Film through presentations, screenings, interactive discussion, analysis, and other activities.

Many students return to take more courses, telling us they enjoy being part of our City Lit literary community. Our popular courses often sell out quickly, so we invite you to browse and book your place now.

Courses available both in-person and online

We offer a range of courses allowing you to choose between online and in-person learning. All our courses are live, interactive, and taught by expert tutors. No matter how you prefer to learn, we've got the class for you. See our guide to online learning for more information about accessing our live online courses.


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  1. German Expressionism: From Horror to Film Noir
    Course start date:  Sat 3 Jun 2023

    Location on this date:  Keeley Street

    Tutors:  John Wischmeyer
    German Expressionism influenced Hollywood horror after itself being influenced by early Swedish Nordic noir. Along with F.W. Murnau and Robert Wiene, Fritz Lang was one of the key figures of German Expressionist cinema. Their influence crossed borders and is alive today in cinema tropes, camera techniques and narrative themes still used by filmmakers, game designers and artists. Their films changed moviemaking forever as directors and set designers created a nightmare environment of unnatural perspectives and distorted images in early films such as Nosferatu (1922 F.W. Murnau), The Cabinet of Dr. Caligari (1919 Robert Weine), and Metropolis (1927 Fritz Lang) which led to Dracula (1931 Tod Browning), Spellbound (1945 Alfred Hitchcock) and Blade Runner (1982 Ridley Scott). American pulp fiction shaded this into film noir in The Killers (1946 Robert Siodmak) and Double Indemnity (1944 Billy Wilder), films created by directors who had fled the land of German Expression. It had come full circle.
    Full fee £59.00 Senior fee £47.00 Concession £38.00
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