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- The occult on screenCourse start date: Tue 30 Apr 2024
Location on this date: Keeley Street
Tutors: Gillian McIverSurprisingly, not every film that features the occult is a horror film. Certainly, many of them are; we will consider classics such as Haxan from 1922, Rosemary’s Baby, The Craft, Angel Heart, The Witch and Hereditary. Other films, such as Kenneth Anger's Lucifer Rising and A Dark Song, attempt to treat the occult seriously as secret or hidden knowledge. We'll examine the cultural backdrop of occult films and questions of representation, gender relations, and spirituality.Full fee £149.00 Senior fee £149.00 Concession £97.00 - O Lucky Lindsay Anderson!Course start date: Tue 7 May 2024
Location on this date: Keeley Street
Tutors: John WischmeyerLindsay Anderson is widely recognised as one of the few authentic geniuses of British cinema, a visionary film director unafraid to challenge convention, who left an indelible mark on British cinema (e.g. on Ken Loach and Mike Leigh). He was a true maverick in every sense of the word. His uncompromising artistic vision challenged storytelling to provoke thought and change. He tackled social issues and explored the human condition through his unique directorial style. His key feature films are This Sporting Life (1963), If…(1968), O Lucky Man! (1973) and his final film in 1993, Is That All There Is?
This course is running as part of City Lit's regular collaborations with the British Film Institute (BFI), who are screening a programme of films by Lindsay Anderson during May 2024. Please note that this course is taking place in the Cultureplex at City Lit, Keeley Street.Full fee £99.00 Senior fee £79.00 Concession £64.00 - Ways into advanced film studies: film theoryCourse start date: Tue 4 Jun 2024
Location on this date: Keeley Street
Tutors: Paul SuttonThis advanced level film studies course will introduce you to a range of theoretical approaches to the study of film. It will consider some of the earliest attempts to think about film, studies that borrowed methodologies from other disciplines. As early as 1915, for example, writers were applying psychology to film analysis, exploring the emotional responses of audiences to this still new medium. Early theorists argued for film as a distinct art form, and we will examine a number of their key texts. In the 1960s, film studies began to develop as a specific subject of study in universities in the US and the UK, once again deploying perspectives from other subject areas. We will examine a number of these theories and consider their continued importance for the analysis and understanding of film today.Full fee £99.00 Senior fee £99.00 Concession £64.00
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