Film Studies Courses
Study online & in London
Enjoy a fresh look at big screen classics, ground-breaking titles and cult favourites featuring a cast of iconic names, former stars and the men and women who called the shots.
Check out our blog post on our new Cultureplex Ciné-Club, where once a week, for 12 weeks (and throughout the academic year in terms 2 and 3), we will watch and discuss film.
Study in-person, or online from the comfort of home, with classes that allow you to participate in discussions with fellow adult students and share your passion for Film as part of a learning community. We offer daytime, evening and weekend courses, both short and long. Our tutors are experts in their fields and experienced educators. Tutors share their knowledge and passion for Film through presentations, screenings, interactive discussion, analysis, and other activities.
Many students return to take more courses, telling us they enjoy being part of our City Lit literary community. Our popular courses often sell out quickly, so we invite you to browse and book your place now.
- Masters of Cinema: Clint Eastwood - Directing the WestCourse start date: Sun 7 May 2023
Location on this date: Keeley StreetTutors: Graham Rinaldi“The Western brought me a certain notoriety” – Clint Eastwood the last of the Western Film Directors. This course will look at Eastwood’s body of work set in the American Wild West from High Plains Drifter to Cry Macho. We will explore his themes, storytelling, influences and techniques in creating a truly American art form.Full fee £59.00 Senior fee £47.00 Concession £38.00
- German Expressionism: From Horror to Film NoirCourse start date: Sat 3 Jun 2023
Location on this date: Keeley StreetTutors: John WischmeyerGerman Expressionism influenced Hollywood horror after itself being influenced by early Swedish Nordic noir. Along with F.W. Murnau and Robert Wiene, Fritz Lang was one of the key figures of German Expressionist cinema. Their influence crossed borders and is alive today in cinema tropes, camera techniques and narrative themes still used by filmmakers, game designers and artists. Their films changed moviemaking forever as directors and set designers created a nightmare environment of unnatural perspectives and distorted images in early films such as Nosferatu (1922 F.W. Murnau), The Cabinet of Dr. Caligari (1919 Robert Weine), and Metropolis (1927 Fritz Lang) which led to Dracula (1931 Tod Browning), Spellbound (1945 Alfred Hitchcock) and Blade Runner (1982 Ridley Scott). American pulp fiction shaded this into film noir in The Killers (1946 Robert Siodmak) and Double Indemnity (1944 Billy Wilder), films created by directors who had fled the land of German Expression. It had come full circle.Full fee £59.00 Senior fee £47.00 Concession £38.00
- Introduction to Film SpectatorshipCourse start date: Sat 10 Jun 2023
Location on this date: Keeley StreetTutors: Paul SuttonThis course will provide a brief introduction to the history of film spectatorship, tracing its origins in the silent era up to the present day. The course will explore a number of films in detail, includingThe Truman Show (Peter Weir 1998 US), Cinema Paradiso (Giuseppe Tornatore 1998 Italy), The Matrix (Wachowskis 1999 US) and others.Full fee £59.00 Senior fee £47.00 Concession £38.00
- The compulsion to repeat in cinema: From Groundhog Day to MementoCourse start date: Sat 1 Jul 2023
Location on this date: Keeley StreetTutors: Paul SuttonThere are a surprising number of films that make use of repetition as a motif or as a structuring device for their narratives. Two particularly celebrated examples are Groundhog Day (Harold Ramis 1993 US) and Memento (Christopher Nolan 2000 UK/US). This course will explore this phenomenon, by referencing psychoanalytic film theory and the idea of the repetition compulsion, but also through the detailed analysis of both of these films.Full fee £59.00 Senior fee £47.00 Concession £38.00
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