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The history of the cinema is a rich, rewarding and dynamic area of study. Cinema, because it is both an art form and an industrial product, can be studied from several different historical perspectives. These have included investigations into the history of technological development associated with cinema’s origins and its subsequent development, but historians have also explored its evolution into an art form. They have written about important individual figures or influential groups and have examined specific films in great detail. Historians have also examined the national, cultural, political and social contexts that might offer insight into the cinema at a given historical moment. They have examined the changing demographic and viewing habits of spectators and explored the mutability of cinemas themselves. With so much to consider and so many different approaches to take, the history of cinema continues to evolve. As such this advanced level film studies course will explore what it means to study film history, examine the various methodologies that one might take, while at the same time looking at relevant filmic and cinematic examples.

In the late 1980s and early 1990s, the Iranian filmmaker Abbas Kiarostami became celebrated and championed internationally, at film festivals, by film critics, on the arthouse cinema circuits. He came to be seen as a director who had revitalised international cinema – Jean-Luc Godard famously quipped that “cinema began with D.W. Griffith and ends with Kiarostami.” Yet, despite all this international acclaim, the deep Iranian roots of Kiarostami remain often misunderstood or even ignored. This course shall cover the long and rich career of Kiarostami, one inevitably formed by an Iranian context and set of cultural references, and closely examine the different phases of his work, the recurring stylistic and thematic concerns, and his trajectory from little-known Iranian filmmaker to global auteur director.

Step into the Italian Renaissance home in this three- part course taught in the unrivalled collection of Renaissance objects in the V&A. Discover how furnishings, paintings and objects were made and used in the fashionable homes of Renaissance Italy.

The final years of the reign of Akhenaten, the gathering storm and tragedy which ended the ‘dream’ of Amarna.

The 1930s was Europe’s dark decade, as democracy gave way to dictatorship in many countries, tensions rose, the post-First World War order disintegrated, and the continent, subjected to Hitler’s policies and ambitions, drifted towards war.