Explore Culture, History & Humanities Courses

Discover how exciting, new UK-based artists use both experimental and traditional approaches to art to address issues of identity, history and personal experience.

What do we mean by ‘literary fiction’? What expectations do we bring to the novels we read? Do we really ‘escape’ when we enter fictional worlds? These are just some of the questions addressed in a course which focuses on the analysis of prose fiction. Reading texts as short as one-sentence ‘flash fiction’ to complete short stories, it engages with writing from a wide range of periods and authors, paying close attention to narrative techniques and their effects.

We explore the intersection of film and philosophy, engaging with the works of influential thinkers and film makers. Together, we discover how cinema opens new possibilities to examine enduring philosophical questions concerning the mind, reality, identity, and ideology.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session on Friday 29 September with suggestions (contemporary fiction in paperback) and having read 'Story of the Forest' by Linda Grant. Meetings take place on 19/9, 24/10, 28/11, 30/1, 27/2, 27/3, 1/5, 29/5, 26/6.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (contemporary literary fiction in paperback) and having read 'Absolutely and Forever' by Rose Tremain. Monthly meetings take place on 26/9, 31/10, 5/12, 23/1, 20/2, 20/3, 8/5, 5/6, 3/7.

This class explores the wonderful world of 19th century American literature, reading classic texts to broaden knowledge of literary history through a range of influential novels, stories, and poems. Among the writers considered in their literary, political, and cultural contexts will be Edgar Allan Poe, Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Herman Melville, Mark Twain and Kate Chopin.

What do The Apartment, The Great Escape, West Side Story, In the Heat of the Night, The Pink Panther, The Magnificent Seven, Fiddler on the Roof and Some Like it Hot have in common? They were all produced by one small production company, run by three brothers, as the studio system was replaced by the new independent producers. Most Hollywood history fetishizes the 1970s as the decade in which the movies finally came of age. But this course looks back to the late ‘50s and ‘60s and zooms in on a single independent production company, the Mirisch Company, to understand the seismic shift that transformed Hollywood – not only in how films were produced but also in terms of the subjects and styles of the films themselves.

This course introduces major forms of African art in their regional and global contexts. It studies classical traditions of carving, metal casting, architecture and textile arts as well as twentieth-century and contemporary developments, including the work of photographers and conceptual artists.