Explore History, Culture & Writing

The aim of this course is to bring to the forefront those, in British politics and society, who may have been confined to the fringes of history, simply been forgotten about, not fully understood or had their stories altered to fit a certain narrative. Curious? Join us to learn more!

How do you define magic and divination? Why has the Western world traditionally viewed magic as opposed to religion and science? These and other issues will be discussed in this thought-provoking course.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Want to have a go at creative writing in a supportive environment? This course is designed to help you tap into your creativity and find your unique writing voice. Suitable for beginners and those with some experience of creative writing who identify as having dyslexia.

Through the words of six female poets from different countries spanning a hundred years, we will explore what it meant to be a woman in the 20th Century. The poems we will read cover a diverse range of topics such as desire and sexuality, loneliness and race, gender and feminism. Includes poems by Charlotte Mew, Anna Akhmatova, Maria Pawlikowska-Jasnorzewska, Forugh Farrokhzad, Gwendolyn Brooks and Carol Ann Duffy.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

Come on a walking tour of public art through the City of London created by Refugees and Immigrants. We will explore artworks such as the 17th century carvings on the Monument and a Victorian plaques relocated on to the post Modern Number One Poultry by economic immigrants to the country as well as looking at mainly works by 20th century artists from refugee backgrounds who were either commissioned to make art works for site specific places or their works have been bought or moved to their locations.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.