Explore History, Culture & Writing

This is a stand-alone companion course to the Autumn ’23 course on the Sight and Sound Poll of the Greatest Films of All Time. The first reactions to the Sight and Sound Poll 2022 were divisive, as completely expected, when certain 21st-century films made the list and other venerated classics were dropped (see topics below for the list). As interesting as the top 100 was to discuss, we wanted to look a bit deeper to see how the reception of certain films shifted over the last decade, with a rundown of the films that were added and those removed. Be assured, they are as enjoyable as the Top 100—perhaps even more so. In addition to viewing the films that were added or dropped, students will conduct their own poll of the Greatest Films of All Time. Enjoy either or both of these complementary courses.

This class introduces you to a range of themes and issues in European cinema, including art cinema, national cinema, movements, 'moments' and new waves, authorship, popular cinema and genre, along with key developments in European film history from the silent era to the present day, key films, directors and the canon of European cinema, and a range of critical accounts of European cinema.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Discuss a selection of novels written by women in contemporary British society. Focusing on the 21st century, we consider the concerns of fiction in grappling with representing the now. We will make links between literary texts and social context to consider how fiction might be influenced by and influencing the real world beyond its covers. Texts include Bernardine Evaristo's Mr. Loverman (2013), Jenni Fagan's The Panopticon (2013) and Ali Smith's Hotel World (2002).



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.