Explore History, Culture & Writing

Hammer's vivid, full-bloodied horror films were met with popular acclaim and critical disapproval but are now recognised as constituting a major area in British popular cinema. Explore the films, their popular and critical reception, Hammer's distinctive approach to style, and the way in which the films offer an alternative to other, more restrained and respectable modes of British cinema.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

How do you define magic and divination? Why has the Western world traditionally viewed magic as opposed to religion and science? These and other issues will be discussed in this thought-provoking course.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

Explore post-colonial Africa's political, economic, and social journey since independence. Gain insights into state building, governance, development, and identity, fostering a holistic understanding of Africa's historical evolution.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This course looks at the responses of Western European governments to recent protests and asks what the increasing criminalisation of protests means for the state of democracy in these countries.

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This course will provide a brief introduction to the history of film spectatorship, tracing its origins in the silent era up to the present day. The course will explore a number of films in detail, includingThe Truman Show (Peter Weir 1998 US), Cinema Paradiso (Giuseppe Tornatore 1998 Italy), The Matrix (Wachowskis 1999 US) and others.

Look at the least known episodes in London's history, Lundenwic (AD 600-900) and Lundenburh (AD 900-1000).



Includes an introductory lecture and guided walk.