Literature Courses in London

Join us to explore three of Shakespeare’s great tragedies, Hamlet, Macbeth and King Lear. We will consider how these plays explore questions of power, ambition, authority, and revenge; youth and old age; memory, grief, regret and madness; family, gender and sexuality.

This course critically explores how Agatha Christie helped to shape the detective genre in the twentieth century, the publishing history of some of her most celebrated works, and how Christie navigated themes of class, gender, morality and justice. Through selected readings, discussions and analysis, we will explore the literary significance and enduring appeal of the Queen of Crime.

From Mexico to Patagonia, Latin America has produced some of the most spellbinding literature of the modern age. From dictatorship and death to national identity and the natural world, join us as we investigate the cultural heritage of the continent through some of its best writers.

Source material for medieval medicine is rich and diverse. In this course we explore extracts from the work of literary greats, such as Langland, Gower,Chaucer and Boccacio, alongside extracts from scientific writings, recipes, legal and constitutional works, religious writing and other historical records, to illuminate ideas about the body, society and health in the middle ages.

The coming of the Second World War loomed large in the imagination of many writers in 1939. We explore how this crisis was represented in a selection of novels published that year by Christopher Isherwood, Aldous Huxley and Jean Rhys. Each novel is set in a different part of the world - Berlin, California and Paris - and refracts the personal and political anxieties of the period.

Justice, violence, morality, and sensation: these are the key issues at play in the three French novels we will discuss in this course. Focusing on The Last Day of a Condemned Man by Victor Hugo (1829), Against Nature by Joris-Karl Huysmans (1884), and La Bête Humaine by Émile Zola (1890), we’ll focus on how these novels explore the inner life of their characters and the moral questions of this period.

We'll explore the evolution of French literary style and social mores over the course of the 19th Century, thinking about representations of crime, punishment, decadence and betrayal along the way.

This literature course focuses on the importance of science fiction writing as both a literary form and a mode of theorising the world we inhabit, which may radically transform our ways of interpreting it. We will read and discuss short stories and extracts from the work of eminent sci-fi writers from the 20th and 21st centuries - both well-known authors like Ursula Le Guin and Ted Chiang, as well as exciting new voices from more recent years. As well as the literary texts themselves, we’ll also consider literary theories of the fantastic and the kinds of contexts that sci-fi texts have been addressed to. Across six weeks we will explore how works of science fiction enrich psychic, social and cultural life and help us grapple with the complex politics of the present. For those who have taken the course before, the selection of texts will be different every time it runs - meaning that students can re-enrol and continue to expand their literary horizons.

On this course we will study the development of Japanese literature in the first half of the 20th century through four great novels: Natsume Soseki’s Kokoro, Ryūnosuke Akutagawa’s Kappa, Jun’ichirō Tanizaki’s The Makioka Sisters and Yasunari Kawabata’s Snow Country.

In celebration of Black History Month, we’re exploring the life and works of Booker Prize-winner, novelist, poet, essayist and editor, Bernadine Evaristo. From her early literature to critically-acclaimed, ‘Girl, Woman, Other’, we’ll uncover her unique narrative voice, blend of poetry and prose and how she gives visibility to a cast of diverse characters.