Iranian cinema: Abbas Kiarostami

Course Dates: 07/01/25 - 11/02/25
Time: 19:45 - 21:15
Location: Keeley Street
Tutors: 
Jean-Baptiste de Vaulx
In the late 1980s and early 1990s, the Iranian filmmaker Abbas Kiarostami became celebrated and championed internationally, at film festivals, by film critics, on the arthouse cinema circuits. He came to be seen as a director who had revitalised international cinema – Jean-Luc Godard famously quipped that “cinema began with D.W. Griffith and ends with Kiarostami.” Yet, despite all this international acclaim, the deep Iranian roots of Kiarostami remain often misunderstood or even ignored. This course shall cover the long and rich career of Kiarostami, one inevitably formed by an Iranian context and set of cultural references, and closely examine the different phases of his work, the recurring stylistic and thematic concerns, and his trajectory from little-known Iranian filmmaker to global auteur director.
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Iranian cinema: Abbas Kiarostami
  • Course Code: HF343
  • Dates: 07/01/25 - 11/02/25
  • Time: 19:45 - 21:15
  • Taught: Tue, Evening
  • Duration: 6 sessions (over 6 weeks)
  • Location: Keeley Street
  • Tutor: Jean-Baptiste de Vaulx

Course Code: HF343

Tue, eve, 07 Jan - 11 Feb '25

Duration: 6 sessions (over 6 weeks)

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

This film studies course will explore one of the richest and most fascinating bodies of work in world cinema: the filmography of the great Iranian filmmaker Abbas Kiarostami. We will be analysing different stages of his career, from working at the Children’s Film Institute making shorts and documentaries in the 1970s, to his breakthrough in the 1980s with the surprise hit Where is the Friend’s Home, and arguably his masterpiece Close-Up, and then his later more self-reflexive and playfully inquisitive art films. We will consider his stylistic trademarks and thematic concerns: films about children and the child’s gaze, self-reflexivity and blending of fiction and reality, themes of death and loneliness, and in the latter stages of his career an interest in the lives of women. We will also consider the specifically Iranian cultural and historic context of his films, a topic often neglected or misunderstood. A questioning of Kiarostami’s international reception and success will also be covered: to what extent was he an ‘Iranian’ filmmaker or a ‘global’ one? How did he navigate a balance between the two?

What will we cover?

• A contextual overview of Kiarostami’s filmmaking career, including his personal trajectory as well as the cultural and historical context which shaped his films
• Analyse specific examples and clips from Kiarostami’s rich body of work
• We will cover the storytelling techniques, stylistic trademarks, and thematic interests running across his work
• We will consider how the international reception and success of Kiarostami affected his career, potentially shifting him from a local Iranian filmmaker into a transnational, global one, making films outside Iran for international audiences.

What will I achieve?
By the end of this course you should be able to...

• Have a better understanding of Kiarostami’s career and why he is such a significant figure in world cinema
• Situate Kiarostami’s films within a specific historical and cultural context
• Have developed analytical and interpreting skills from examining Kiarostami’s films.

What level is the course and do I need any particular skills?

The course is suitable for all levels and you do not require any particular skills, just an interest in Iranian cinema and Iranian history.

How will I be taught, and will there be any work outside the class?

Short clips from the films will be provided, as well as reading materials. The class will be structured around a combination of PowerPoint presentations, film clips and class discussions.

Are there any other costs? Is there anything I need to bring?

The tutor will show extracts from films and you do not have to obtain them.

When I've finished, what course can I do next?

Look for other Film Studies courses under History Culture and Writing/Film Studies at www.citylit.ac.uk.

Jean-Baptiste de Vaulx

Dr Jean-Baptiste de Vaulx has taught at Royal Holloway, University of London, and currently is an associate lecturer at University College London. His fields of teaching and research focus on world cinema, international film history, film festivals and cinephile film cultures. He has published articles and book chapters on varied topics including child characters in Iranian cinema, the theme of home in the films of Lucrecia Martel, the Japanese new wave director Hiroshi Teshigahara, and the history of world cinema programming on Channel Four.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.