Courses in London & Online

This course explores the transformative period of Russian history from 1860 to 1924, encompassing the autocratic rule of the Tsars, the revolutionary upheavals of 1905 and 1917, the chaos of the civil war, and the consolidation of the Bolshevik regime. Students will examine key events, figures, and ideologies that shaped modern Russia, delving into the complexities of political, social, and economic changes during this era.



Please note: this course includes much of the material covered in previous Russian Revolution courses at the City Lit. Moreover this course is taught at an introductory level. Tutor: Zoe Quinn.

Take a fresh look at Shakespeare, exploring selected plays in the company of an experienced theatre director. With performance in mind, we will examine the language and themes of Henry IV Part I and A Midsummer Night's Dream, and discuss the extraordinary variety to be found in Shakespeare's work.

Discover the rich history of museum collections, their role in preserving cultural heritage, and their evolving connections with communities. Engage with critical debates on heritage, representation, and decolonisation.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.

Metaphysics is concerned with fundamental philosophical questions about the nature of reality. Many of those questions naturally raise further philosophical questions about what we can know – questions of epistemology. This course is an introduction to some of the most historically significant approaches to such questions.

Come and explore the work of three pioneering American satirists of the inter-war years. Ranging from sharp, dry, bitter irony to macabre laughter, the precise insights of Dorothy Parker, Nathanael West, and Sinclair Lewis still resonate with modern readers. We’ll look at their dissection of society, considering their critiques of social aspiration, snobbery, status anxiety, and The American Dream.