Lithography: photographic techniques and processes
Time: 10:00 - 17:00
Location: Keeley Street
Course Code: VS717
Duration: 2 sessions
What is the course about?
This course is designed to introduce you to the process of photo-plate lithography; how artists have used this process, its creative potential both in developing images and its material properties when printing on to different surfaces.
These two longer days are to maximise practical time and for elements of research and informal discussion to be included.
What will we cover?
You will be shown ways to generate your imagery, creating hand drawn images that can be developed and manipulated together with photo graphic images to create interesting collages and artworks
• Prepare artwork by scanning and manipulating images on the computer using Photoshop.
• Learn how to expose artworks onto plates
• Develop photo-litho plates
• Learn how to ink up the plates and print
• Learn how to print on to paper and other surfaces.
• The basic principles of multi-plate registration and overprinting different images.
What will I achieve?
By the end of this course you should be able to...
• Name the characteristic qualities of the processes
• Make and develop work in Photoshop and print onto acetate
• Expose and develop a photo litho plate
• Ink up the plates and print successfully
• Gained an understanding of how to register and overprint
• Operate the Rochat and Littlejohn presses in 310 demonstrating an awareness of H&S issues
• Explore different methods for printing your plates including overprinting, different substrates and paper stencils
• Begin to recognise how photo-plate lithography can be used to best suit your purpose.
What level is the course and do I need any particular skills?
All levels are welcome. The course is suitable for complete beginners and more experienced printmakers who want to try out new ideas. You should be able to follow verbal instructions and follow demonstrations.
Basic Photoshop skills and a knowledge of digital photography would be beneficial.
How will I be taught, and will there be any work outside the class?
Demonstration will be given to enable you to understand the techniques
And instructions on how to use the equipment
There will be an emphasis on sharing knowledge and experience initially students will be put into pairs to maximise on practical development through discussion. The tutor will facilitate group discussions and work with students one-to-one and in groups
Small preparation tasks for Day 2 are desirable as this will maximise your time.
Are there any other costs? Is there anything I need to bring?
All basic materials are provided.
It is recommended that you bring visual source material i.e. photos, postcards sketchbooks, drawings as inspiration. Ideally you will bring some digital images (text and/or photographic) on a USB
Pencils, note pads, permanent markers (Black) apron, bushes varying sizes (House decorating Brushes are good) rubber gloves. You will be provided with paper to print on and some alternative surfaces, however, if you wish to print on additional materials e.g. fabrics, mirrored papers etc. you will be expected to bring your own.
When I've finished, what course can I do next?
After this course you may want to consider trying other photographic print processes, a more general print course, the City lit Printmaking course or attending Friday evening studio access workshops. Your tutor can advise.
Sue Baker Kenton is an artist for whom drawing is pivotal and whose practise engages with the analogue nature and material resistance of traditional print processes in a digital world. Since graduating her MA Printmaking she has received Arts Council funding for individual research into Lithography at the Curwen Print Study Centre and in 2016 she was appointed etching fellow at Royal Academy Schools, Piccadilly, London. Her work is exhibited nationally and internationally and is represented in public and private collections including Victoria & Albert Museum, Word & Image department. Sue regularly undertakes research trips and residencies, these inform the sessions she teaches with an ethos of purposeful play and enquiry. Her experience of comparative process and her engagement with contemporary practice brings a dialogue to her teaching that is both specific and collaborative. Sue Baker Kenton teaches primarily on the advanced programme at City Lit and at several specialist printmaking organisations. For more information please visit: www.suebakerkenton.com Instagram: Sue_bkstudio
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.