Michelangelo, the High Renaissance to Mannerism

Discover Michelangelo’s 'genius' across sculpture, painting, architecture, and poetry. This course traces his artistic journey within the dynamic world of 16th century Italy from the High Renaissance to Mannerism. It explores his encounters with contemporaries like Leonardo and Raphael, and examines how Vasari and Condivi’s biographies shaped his enduring reputation as Il Divino.

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  • Start Date: 01 Oct 2026
    End Date: 10 Dec 2026
    Thu (Daytime): 15:45 - 17:45
    In Person
    Location: Keeley Street
    Duration: 10 sessions (over 11 weeks)
    Course Code: VB281
    Full fee £279.00 Senior fee £223.00 Concession £181.00
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In stock
SKU
248161
Full fee £279.00 Senior fee £223.00 Concession £181.00

What is the course about?

This course offers an in-depth examination of the life, work, and legacy of Michelangelo Buonarroti (1475-1564) within the broader landscape of High Renaissance and Mannerist Italy. Moving beyond the study of individual masterpieces, it situates Michelangelo within the vibrant artistic, cultural, and political world of sixteenth-century Italy, tracing how his career unfolded over more than seventy years of extraordinary change.


To understand the forces that shaped his art, selected sessions will introduce the High Renaissance and Mannerist periods (c.1500-1575), exploring the work of his contemporaries and interlocutors, including Leonardo da Vinci, Raphael, Sofonisba Anguissola, and Giorgio Vasari. Through case studies spanning sculpture, painting, architecture, and poetry, students will consider how Michelangelo’s practice intersected with political authority, religious reform, and humanist thought, as well as the complex dynamics of patronage (from Medici Florence to papal Rome) that defined the period.


Major works such as the Pietà, David, the Sistine Chapel ceiling, the Medici Chapel, The Last Judgment, and the Rondanini Pietà will serve as focal points for examining themes of power and devotion, gender and the body, the aesthetic of the unfinished, and Michelangelo’s poetic imagination. The course will also address the role of early biographers, notably Giorgio Vasari and Ascanio Condivi, in shaping his reputation as Il Divino (“the divine one”).
By the end of the course, students will be invited to view Michelangelo not as an isolated genius, but as a figure whose art illuminates the wider artistic, spiritual, and intellectual transformations of Renaissance Italy.

What will we cover?

· Michelangelo’s career across sculpture, painting, architecture, and poetry, set against the cultural and political changes of Renaissance Italy

· His interactions and rivalries with other artists, and the shaping of his reputation by Vasari and Condivi.

· Key themes in his art, including the heroic body, spirituality, power and patronage, gender, and the unfinished.

What will I achieve?
By the end of this course you should be able to...

· Describe Michelangelo’s artistic development across different media and stages of his long career.

· Discuss how his relationships with patrons, contemporaries, and biographers shaped both his work and reputation.

· Identify and analyse key works by Michelangelo and explain their significance within the broader context of Renaissance art and society.

What level is the course and do I need any particular skills?

This course is suitable for all levels.

You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information. You will be invited to take part in group discussion.

How will I be taught, and will there be any work outside the class?

You will be taught with lecture, slide presentations, activities and group discussions. Handouts will be provided by your tutor to support your learning on the course. These handouts will be posted via a Google Classroom. You will be invited to join the Google Classroom within a week of your course start date.For more on how our Google Classroom works, please click here.

Please note: the tutor is unable to email students documents for reasons related to copyright and data protection.

Are there any other costs? Is there anything I need to bring?

You might wish to purchase a notebook for taking notes. You might wish to buy some of the books on any reading list provided.

When I've finished, what course can I do next?

Raphael: the Rise and Dominance of a Renaissance Prodigy, 1483-1520

Women of the art world: Italian Renaissance and the Baroque

Baroqueart in Londonin museums

Elisa Stafferini

Elisa Stafferini is an art historian specialising in Renaissance and early modern Italian art. She recently completed her PhD at the Warburg Institute with a thesis entitled Women in Arms: Female Warriors in Italian Art, 1500–1700. She holds a BA and an MA summa cum laude from La Sapienza Università di Roma. Elisa has held research appointments at the University of Oxford, at the Kunsthistorisches Institut in Florenz (KHI), and at the Scuola Normale Superiore (SNS) in Pisa. Her research interests encompass early modern visual culture, iconography and iconology, gender and politics in art, and the relationship between word and image. She has delivered lectures on Renaissance art and iconography in both Italy and the UK and currently teaches the module “Art in London before 1600” at University College London.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.