New courses

We look at four poets who struggled to be heard or accepted because their work was so different from what their society expected. What were the barriers they had to overcome and how did they win through to become admired and highly regarded? What made one of the poets stop writing at the age of 21 and the other three continue for the rest of their lives? What makes the poetry of all of them so original, and what can we learn from their resilience?

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?