New courses

We look at four poets who struggled to be heard or accepted because their work was so different from what their society expected. What were the barriers they had to overcome and how did they win through to become admired and highly regarded? What made one of the poets stop writing at the age of 21 and the other three continue for the rest of their lives? What makes the poetry of all of them so original, and what can we learn from their resilience?

The 2016 referendum result was one of the most significant events in recent British history. How can novels, written in that moment, shed light on the run-up to the vote and its immediate aftermath?



On this course we’ll study three fascinating and powerful novels, by Ali Smith, Anthony Cartwright and Adam Thorpe, exploring their stories and the backdrop they present of Britain’s divisions and connections.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This playful and creative mask course, suitable for students at any level, introduces you to the mask. You will be carefully guided to explore the principals and techniques required to bring a character to life, to create speech with the body and without the voice. Masks will be provided but why not bring along some different style outfits and a variety of hats with you, then you’ll have more to play with on the day.

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?