New courses

This course examines a core Latin Christian hymn text, Stabat mater dolorosa, which has received dozens of musical settings over eight centuries, from the 13th century to the present day. Why does this particular text hold such fascination for composers, and how has its meaning been interpreted through music?

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?

What is vibrato and how is it used? Learn about the history of vocal vibrato and arguments surrounding its use.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.