New courses

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?

The Courtauld collection includes paintings, drawings, prints, sculpture and decorative arts, ranging from the medieval period to the present day. This two-part course is an opportunity to explore an outstanding collection which includes one of the richest holdings of early Italian art in Britain alongside Impressionist and Post-Impressionist gems such as Van Gogh’s Self-Portrait with Bandaged Ear.