New courses

Novels that fit all their action into just one day (‘circadian novels’) have been penned by some of literature’s most esteemed authors. This course focuses on three novels which use the one-day structure to tell their stories: Virginia Woolf’s Mrs Dalloway (1925), Mollie Pater-Downes’s One Fine Day (1947), and Michael Cunningham’s The Hours (1999). It explores how they portray the inner life of characters, at the same time as engaging with broader social issues of the time.

Knock on the door of artists’ houses and studios from 1900-1960 to experience exciting and visually dazzling spaces created over the course of their careers. At a time when artists were beginning to forge their own brave new visual worlds, this course considers what the homes might tell us about the artists and how they wanted their homes to be seen. This is the second part of a series on Homes and Houses; it can also be taken without having done the previous course.

Arguably, no other music has been as influential as Cuban music in the 20th century. From being the foundation of Salsa music in the Americas, to its return home in Africa, the Cuban sound has travelled far and wide. But how did this relatively small island in the Caribbean have such a large musical influence, and why was it so readily accepted?

What’s the unique appeal of historical fiction? Why do we read it, and what are we looking for? This course investigates historical fiction written in the twenty-first century and how it reimagines the past for us as contemporary readers. Reading novels and short stories set in the seventeenth, eighteenth and nineteenth centuries, we’ll explore historical fiction’s strategies, challenges and pleasures: how it can bring unknown stories into view and rewrite what we think we know. Includes Francis Spufford's Golden Hill (2016), Emma Donoghue's The Woman who Gave Birth to Rabbits (2002) and Maggie O'Farrell's Hamnet (2020).

What sells crime novels? Does knowing about the detective's other life make readers appreciate or rate their detective skills more? Why does the figure of the male detective remain so dominant in the genre, especially given that many of the texts are by female authors? We will analyse and the discuss the development of the male detective figure in recent crime fiction, including 'A certain Justice' by P.D. James, 'In the Woods' by Tana French and 'Career of Evil' by Robert Galbraith.

Learn how to use this technique derived from Gestalt therapy to help your clients explore inner conflicts and let go of haunting issues from the past. Experience the power of this two chair technique by trying it out for yourself.

Take a fresh look at Shakespeare, exploring selected plays in the company of an experienced theatre director. With performance in mind, we will examine the language of The Two Gentlemen of Verona and Twelfth Night,



and discuss how Shakespeare’s use of verse evolves over the course of his career.

The course is for anyone with an interest in developing their self-awareness in cross cultural counselling. This workshop helps you gain an understanding of how to talk about race and culture in a respectful, confident way.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.

This playful and creative mask course, suitable for students at any level, introduces you to the mask. You will be carefully guided to explore the principals and techniques required to bring a character to life, to create speech with the body and without the voice. Masks will be provided but why not bring along some different style outfits and a variety of hats with you, then you’ll have more to play with on the day.

An introduction to popular tools for effective project management.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.

Mythical beasts, fruity swags, strange shell forms, odd expressions, the bizarre dream and fantasy subject matter – there is more to Renaissance art than meets the eye. Come and discover the strange work of Paolo Uccello, Carlo Crivelli, Piero di Cosimo, Ercole de’Roberti, Dosso Dossi, Cosmè Tura and Francesco del Cossa.

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?