Philip Larkin & His Contemporaries
Time: 18:00 - 19:30
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
Course Code: HLT182
Duration: 5 sessions (over 5 weeks)
What is the course about?
Running from the Forties up to the Seventies, this course considers Larkin in relation to anti-Modernist influences and contemporaries like John Betjeman, Movement poets such as Donald Davie, Elizabeth Jennings and Kingsley Amis, and earlier (proto-)Modernist inheritances, including Eliot, Yeats and Hardy. Since his death in 1985, major critical reappraisals and successive biographies have given Larkin many different faces. "I can't believe I am so much more unpleasant than everyone else,” he wrote in his letters. We look back at the work in context, getting behind the self-mythologised misery, in all its “glum accuracy” – “one of those old-type natural fouled up guys,” as he obliquely called himself – to inspect the racist, misogynist, Little Englander type he is famed to be, and to meet the man afresh.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
We will look at excerpts from: Larkin’s early novels, Jill and A Girl in Winter, his jazz reviews for the Daily Telegraph, his correspondence and his juvenilia. We will look at chunks of work and poems by contemporaries such as Davie, Amis, Betjeman, Thom Gunn, Elizabeth Jennings and John Wain. Our main focus will be poems by Larkin himself, including but not limited to: ‘Going,’ ‘At Grass,’ ‘Deceptions,’ ‘Coming,’ ‘If, My Darling,’ ‘Latest Face,’ ‘Absences,’ ‘Triple Time,’ ‘Days,’ ‘Church Going,’ ‘Toads,’ ‘Love Songs in Age,’ ‘Home is so Sad,’ ‘Faith Healing,’ ‘An Arundel Tomb,’ ‘Whitsun Weddings,’ ‘Reference Back,’ ‘Self’s the Man,’ Mr. Bleaney,’ ‘Breadfruit,’ ‘Broadcast,’ Toads Revisited,’ Sunny Prestatyn,’ Dockery and Son,’ ‘Talking in Bed,’ ‘Ambulances,’ ‘Here,’ ‘Going, Going,’ ‘Money,’ ‘Aubade,’ ‘The Mower,’ and ‘Love Again.’.
What will I achieve?
By the end of this course you should be able to...
-Be more conversant in the themes and ideas that concerned Larkin and the generation of which he was a part.
-Be more comfortable discussing the poems encountered, and be able to distinguish and articulate different kinds of poetic composition.
-Have an understanding and sense of the sweep of Larkin’s poems.
What level is the course and do I need any particular skills?
This course is for anyone with an interest in the subject matter, for people who have read poetry before or those who have always wanted to but not known where to start. We will read things together, strew them open and ravel them back up.
How will I be taught, and will there be any work outside the class?
Classes will consist in a mixture of short lectures aided by Powerpoint presentations, large and small group discussions and group exercises. Solitary reading and thinking prior to class will help with class discussions.
Are there any other costs? Is there anything I need to bring?
Philip Larkin, Collected Poems (Faber & Faber).
When I've finished, what course can I do next?
Look for other other Poetry courses at www.citylit.ac.uk/courses under History, Culture and Writing/Literature/Poetry.
Phoebe Braithwaite is a PhD student in English at Harvard University and her work focuses on the influence of the intellectual Stuart Hall and the tradition of British Cultural Studies. She has taught courses on nonfiction, contemporary literature, and poetry.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.