Presenting and exhibiting: photographing your work 2

Course Dates: 16/07/21
Time: 10:00 - 16:00
Location: Online
Tutors: 
Photographing your work properly is important, whether for the purposes of promotion, for your own records, or to document your own exhibitions or installations. Having spent hours ensuring that you have captured perfect photos of your work, you need to be sure you can process them for the purposes you have in mind (eg: print, web, publicity), edit them non-destructively, and archive them appropriately for future reference.

Working from the premise that you have already photographed your subject (your own work or exhibition/installation) to an appropriately professional standard, using suitable equipment and data formats, this one-day workshop covers: processing and archiving photographic records of your work, selecting and organising the best shots, using non-destructive data formats and working with specialist photography software and formats to ensure commercial standard image quality, and the integrity of the original image files in the editing process. We also look at considerations involved in processing your images to the required specifications for galleries, promotional materials, websites or publications, and effective systems for archiving images non-destructively, for your own future use and ensuring access to a growing body of work in perpetuity.

Although not a requirement, this workshop will be of particular benefit to those who have completed VPP861-1 Presenting and exhibiting: photographing your work 1.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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In stock
SKU
185864
Full fee £89.00 Senior fee £89.00 Concession £89.00

Course Code: VPP862-1

Fri, day, 16 Jul - 16 Jul '21

Duration: 1 session

Or call to enrol:020 7831 7831

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

New for 20/21, our professional practice suite is a set of one-day workshops that you can pick and mix to design your own modular course, to learn core skills and knowledge essential to the professional creative practitioner in craft, design or fine art. Whether you require expert technical knowledge, deeper critical and contextual understanding, or need to know how to go about setting yourself up as an independent professional, these workshops will allow you to build your own modular course of study to ensure you develop the skills you need.

This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera.
- Earphones/headphones/speakers.
We will contact you with joining instructions before your course starts.

What will we cover?

By definition, each workshop is different, but every one of them is designed to enable you to develop knowledge and skills that – whether directly related to your subject or not – will enhance your professionalism and understanding of the context in which you make your work. Whilst we are beginning with a select number of titles, the full, final range of workshops will cover everything from technical fundamentals, through critical and theoretical studies, to commercial operations. We will be adding new titles regularly, both online and, increasingly, as restrictions ease, at City Lit.

What will I achieve?
By the end of this course you should be able to...

Obviously, while this depends on the workshop you take part in, the primary purpose of all of them is to build confidence and expertise, so that you are better able to pursue your professional/creative aims and aspirations independently and more effectively, and to know what you are doing. To that end, each workshop has a relatively narrow focus to ensure that you get what you need out of it, as set out in the intro paragraph above.

What level is the course and do I need any particular skills?

No prior knowledge or experience is necessary to take part in any professional practice workshop, however, the expectation is that you will be participating in order to strengthen your understanding of a particular subject related to your work, to acquire underpinning technical knowledge, to discuss or consider alternative creative practices, or to engage in communities or networks of practice with your peers.

How will I be taught, and will there be any work outside the class?

Again, every workshop is slightly different, and the teaching will reflect the subject, or the focus of the session: technical sessions might consist of instruction and/or troubleshooting, while workshops focusing on interpretation, writing or collaboration are likely to involve more discussion and reflection of individual and shared experience. Generally speaking, however, as these are not beginners courses, most of them do not feature introductions to techniques or processes, unless specified.

Are there any other costs? Is there anything I need to bring?

Other than basic stationery for making notes, and, if the workshop is being delivered online, a computer or tablet and an internet connection, nothing else will be required, unless explicitly mentioned in the introduction.

When I've finished, what course can I do next?

Advanced art and design professional practice modules are designed to support your creative practice: you can do one, many, or all of them, depending on what you need at the time. There is no set order, and there are no entry requirements. If you see a workshop that provides the professional skills or knowledge that you need, just sign up!

Monika Kita

Monika Kita is an artist and filmmaker. Video installation, sound and photography form her practice and works have been shown at festivals and exhibitions across the UK, Europe, and South America, including Museum of Contemporary Art of Oaxaca, BBC Shorts, East End Film Festival and Venice Biennale. Teaching is an integral part of her practice. Her flexible approach encourages connection between conception, making and materials, recognising spontaneity and liberation to be at the ‘beating heart’ of practice and pedagogy.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.