Time: 18:00 - 19:30
Location: Keeley Street
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What is the course about?
This course is for those with some singing experience. Come and consolidate basic techniques for good and healthy singing. Further explore musicianship and discover a selection of music in a fun and supportive environment.
What will we cover?
- a vocal warm up to help you get the most out of your voice
- breathing and support exercises to help with nerves and projection
- songs from multiple genres such as classical, folk, pop and musical theatre.
- group singing and singing as an ensemble
- harmonising as a grroup may be introduced in some songs
-solo singing will be expected in this class on a regular basis
-technical exercises for healthy voice use.
What will I achieve?
By the end of this course you should be able to...
- feel confident singing in with others and individually, with and without support from accompaniment
- show an understanding of how the voice works at a basic level
- demonstrate improved rhythmic awareness
- use good posture for singing
- display a developing understanding of efficient and effective breathing
- sing songs and rounds accurately in a group
- show familiarity with music notation
- sing solo confidently.
What level is the course and do I need any particular skills?
This is the second year of our singing programme course so some expereince is necessary but also suitable for near-beginners who wish to consolidate basic aspects of singing. It's helpful if you can already hear notes from a piano/voice and sing them back at the correct pitch. If you are unsure about your ability to do this, please contact the music department for further advice: email@example.com
You will need to follow written and verbal instructions in English and engage in class discussions.
If you are new to City Lit singing classes, you may find it helpful to read our blog: Choosing a singing class at City lit which lists our full sequence of singing classes.
How will I be taught, and will there be any work outside the class?
Sessions begin with a range of vocal warm ups, followed by song work as a group singing along with the tutor and working towards trying things in smaller groups, pairs and individually.
There will be musicianship exercises to develop aural awareness alongside the songs which will be in a range of styles.
You are encouraged to practise daily and your tutor will suggest helpful things you can do between sessions to build on what you have learnt in class.
This course will be supported with materials in Google Classroom.
Are there any other costs? Is there anything I need to bring?
It's useful to have a notebook, pen/pencil and a folder for keeping music/notes organised.
When I've finished, what course can I do next?
We recommend that you repeat Singing level 2 for at least three terms, but you can enjoy these classes as often as you wish before moving to a different level. The songs are different each term and this will help you build up a good musical repertoire and grow your confidence.
When you are ready (your tutor can advise you on this) you can move on to Singing level 3 which introduces some more solo singing opportunities.You could also conside trying one of our choirs.
If you need help learning to read music please consider supplementing your singing studies with ‘Musicianship 1: listening and reading, pitch and rhythm’. These musicianship courses are ideally taken in conjunction with a singing / instrumental class and will help you learn much faster.
Håkan studied at Malmö Musikhöfskola, Sweelinck Conservatiorium and Conservatoire de Metz, in Karlsruhe, then at the Guildhall School of Music and Drama. He has performed throughhout Europe and is especially appreciated for his intimate musicianship. He has appeared at venues including Royal Albert Hall, Wigmore Hall, Amsterdam Concertgebouw, Sibelius Academy and Aldeburgh, and with the symphony orchestras of the BBC, Jerusalem, Birmingham, Barcelona, Gorthenburg and Malmö. His recordings include Bach's B minor Mass, songs by Finzi, Barber, Schumann and Schubert, Elisabeth Maconchy's opera "The Departure" and Panufnik's "Private Joe." Operatic roles include Aeneas, Don Alfonso, Don Giovanni, Figaro, Macbeth, Marcello, Eugen Onegin and Papageno. Håkan created the roles of Axel in Anna Meredith's "Tarantula in Petrol Blue", Carl in Coleridge-Taylor's "Thelma" and Pascoe in Huw Watkins' "In a Locked Room". Most recently he toured with Kentish Opera, Swansea Opera, Diva Opera and Opera Brava. Håkan teaches at City Lit and at the International Lied Masterclasses at Koninklijk Conservatorium Brussels.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.