Stories of the Western Sahara: art and cultural history, 8th-16th centuries

In this course we shall explore the Medieval history of the Sahara and the Sahel, looking at the rise of the Gold Kingdoms, Trans-Saharan trade, cultural synergy, and spread of Islam into the region.

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  • Start Date: 06 Oct 2026
    End Date: 03 Nov 2026
    Tue (Daytime): 14:00 - 16:00
    Online
    Location: Online
    Duration: 5 sessions (over 5 weeks)
    Course Code: VB992
    Tutors:  Anita Chowdry
    Full fee £159.00 Senior fee £127.00 Concession £103.00
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SKU
247824
Full fee £159.00 Senior fee £127.00 Concession £103.00

What is the course about?

This is a rich visual journey with primary documentary resources giving an insight into early African history in the northern desert regions and gold-rich desert-shores of the continent. We begin by looking at ancient rock-paintings at Tassili-N’Ajjer that bear witness to a climate that supported successive periods of pastoral societies before the desiccation of the region.

Descriptions of the land and people by Herodotus and Pliny the Elder offer Classical understandings of the region, and by Late Antiquity, trading interests between the Kingdoms of the Sahel and outlets in North Africa established long-distance caravan routes criss-crossing the desert. Valuable commodities included gold sourced from the Niger Delta regions, ivory, precious hardwoods, and exotic animals, with horses, copper, desert salt, amber, coral, and cowries coming into the African kingdoms.

The westward expansion of Islam across North Africa in the 7th century saw an increase in trans-Saharan trade and the rise of the Gold Empires of the Sahel with their connections with Morocco, North Africa and Egypt. By a peaceful organic process, traders became agents of the spread of Islam in the Medieval Kingdoms of the Sahel. From this era, we have eye-witness accounts by Arab and Berber chroniclers, giving accounts of the gold-kingdom of Ancient Ghana (4th - 11th c.), and of its decline after raids by Moroccan Almoravid zealots into the kingdom.

With the rise of the Mali Empire, we have recent African scholarship on oral histories of Mari Djata, the original ‘Lion King’ and founder of the kingdom. Its fame culminates in accounts that resonated throughout the Mediterranean of the wealth and learning of its ruler Mansa Musa. The traveller Ibn Battuta visited the region, giving us a vibrant memoir of his journey. Finally, exploring the material culture of the Sahel, we look at Sudano-Sahelian Architecture, sculpture, jewellery, textiles, and the libraries of Djenne and Timbuktu.

What will we cover?

  • Evidence of climate change and early civilizations in the Sahara Desert.
  • The spread of Islam into the Western Sahel.
  • The Medieval Gold Empires of Ancient Ghana and Mali, and the Trans-Saharan Trade Routes.
  • The Epic of Sundiata.
  • The Travels of Ibn Battuta.

What will I achieve?
By the end of this course you should be able to...

  • Describe the cultural importance of Oral Histories in relation to the Epic of Sundiata.
  • Discuss the material, cultural, and economic contribution of the region to the Medieval Mediterranean world.
  • Identify examples of Sudano-Sahelian architecture, Islamic manuscripts of the Western Sahel, and examples of medieval Mandé sculpture.

What level is the course and do I need any particular skills?

This course is suitable for all levels.

This course takes place on Zoom and uses a Google Classroom to share materials. Please be familiar with or be willing to learn how to operate elements of Zoom, specifically camera, microphone and chat functions.

Please note: Students must be willing to use the course's Google Classroom, which is essential for course documents, meeting points and tutor contact information.For more on how our online learning works, please click here.

How will I be taught, and will there be any work outside the class?

You will be taught online with richly illustrated slide presentations and group discussions. Handouts will be provided by your tutor to support your learning on the course; these handouts will be available online/digitally for download via the college’s Google Classroom. You will be sent an invitation to join the Google Classroom within a week of the course start date.

Please note: this is a live lecture course and will not be recorded for playback for reasons of copyright, digital infrastructure and data protection.

Are there any other costs? Is there anything I need to bring?

You might wish to purchase a notebook for taking notes.

When I've finished, what course can I do next?

Ways into Islamic Art

Art exchanges: between Europe and the East, 1400-1900

The Arts of Medieval Islam: Fatimids, Turks, Mongols and Mamluks

Anita Chowdry

Anita Chowdry is a London based visual artist, educator and researcher. Her particular interest is in the arts of the Islamic World and South Asia, and the materials and processes that went into them. She has an M.A. in Art and Science from Central Saint Martin’s UAL, and is currently engaged in the codicological study of a group of 15th Century Turcoman manuscripts at the Bodleian Library, Oxford. Anita has over 30 years’ experience teaching art and process to adults and professional groups, covering major institutions in the UK and abroad.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.