The female gaze in cinema

Course Dates: 20/03/22 - 27/03/22
Time: 10:30 - 13:00
Location: Online
Tutors: 
A guide to contemporary films directed by women, examined through a psychoanalytic lens. An opportunity to discuss the ways in which cinema can continue to evolve to more authentically depict female desire, fears and subjectivity.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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SKU
179763
Full fee £59.00 Senior fee £47.00 Concession £36.00

Course Code: HF086

Sun, day, 20 Mar - 27 Mar '22

Duration: 2 sessions (over 2 weeks)

Or call to enrol:020 7831 7831

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

Film has long been a male-dominated industry, but for decades female directors against all odds have made an indelible mark on cinema. Today there is growing recognition of the important contributions made by women to the world of moving image, with audiences calling for more opportunities to be given to female screenwriters, cinematographers, editors, producers, performers and directors in a bid to defeat gender inequality. In this course we will identify psychoanalytic themes contained in films directed by women, placing a special focus on the feminine experience portrayed in stories told by women.

This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
- Earphones/headphones/speakers.
We will contact you with joining instructions before your course starts.

What will we cover?

Water Lilies (Céline Sciamma, 2007)
The Headless Woman (Lucrecia Martel, 2008)
We Need to Talk About Kevin (Lynn Ramsay, 2011)
Dreams of a Life (Carol Morley, 2011)
A Girl Walks Home Alone at Night (Ana Lily Amirpour, 2014)
The Invitation (Karyn Kusama, 2015)
Most Beautiful Island (Ana Asensio, 2017)
The Souvenir (Joanna Hogg, 2019).

What will I achieve?
By the end of this course you should be able to...

-Understand the relationship between psychoanalysis and cinema
-Learn film interpretation techniques to approach cinema in a deep and investigative way
-Discover the work of film directors that represent psychoanalytic themes and motifs.

What level is the course and do I need any particular skills?

This course is open to all levels; there are no pre-requisites to register. Interest in film is desirable.

How will I be taught, and will there be any work outside the class?

Psychoanalytic terms will be taught in an inclusive, accessible and engaging way with the help of bespoke PowerPoint slides and video montages. Group discussion will be encouraged, and there will be no assignments outside of class.

Are there any other costs? Is there anything I need to bring?

There are no additional costs beyond the enrolment fee. Please bring a pen and paper for notetaking.

When I've finished, what course can I do next?

Check out film studies courses on our website at www.citylit.ac.uk/History, Culture and Writing/Film Studies.

Mary Wild

Mary Wild is a film lecturer with an academic background in psychoanalytic theory. Her research interests include cinematic representation of identity, the unconscious, mental illness and auteur studies (e.g., Andrei Tarkovsky, Lars von Trier, and Fritz Lang). In addition to teaching at City Lit, Mary is a regular speaker at the Freud Museum and Hackney Picturehouse.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.