Topics in Medieval music

Course Dates: 19/04/21 - 05/07/21
Time: 18:00 - 19:30
Location: Online
Tutors: 
Study Western music written during the middle ages. Beginning with the fall of the western Roman Empire in the 5th century and ending in the early 15th century, we'll explore music for church, banquet and dance. Break weeks: 3rd & 31st May 2021 (Bank holidays).
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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SKU
175257
Full fee £169.00 Senior fee £169.00 Concession £103.00

This course has now started

Course Code: MD047A

Started Mon, eve, 19 Apr - 05 Jul '21

Duration: 10 sessions (over 12 weeks)

Or call to enrol:020 7831 7831

Any questions? music@citylit.ac.uk
or call 020 7492 2630

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

This course will focus on the beginnings of music in the Middle Ages through to the early Renaissance through a carefully selected sequence of musical examples, illuminated manuscripts and composer biographies. We will also look at medieval music notation and trace the main stages of its development.

This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
- Earphones/headphones/speakers.
We will contact you with joining instructions before your course starts.

What will we cover?

- What is music history and where does it begin?
- singing in medieval monastic culture: liturgy & plainchant
- secular music of the troubadours and trouvères
- the beginnings of polyphony: organum and motets
- the instruments of the middle ages
- case studies: the Roman de Fauvel, Guillaume de Machaut, Dunstable and Dufay.

What will I achieve?
By the end of this course you should be able to...

- recognise key genres of medieval music
- feel confident identifying key musical instruments of the middle ages
- appreciate the range of different performance possibilities for selected pieces of music
- understand the key challenges facing performers of medieval music.

What level is the course and do I need any particular skills?

This course is suitable for absolute beginners. However, we will look at some medieval music manuscripts and learn to identify key features of medieval music notation, so this will be suitable for those who are curious and ambitious to learn.

How will I be taught, and will there be any work outside the class?

This is an online course:
Sessions will be held via video-conference (zoom) and comprise combinations of lecture, discussion, quizzes, guided listening, video and score study. Course materials (handouts, scores, links to online videos) will be shared via google classroom.
You will be encouraged to do extra reading outside class.

Are there any other costs? Is there anything I need to bring?

You will need a good internet connection and a computer with microphone & webcam. If using a tablet it will need a screen large enough for you to comfortably view the class handouts.
You may also wish to purchase some of the music books or recordings discussed in class, links to these materials will be available online after each session.

When I've finished, what course can I do next?

To find out more about music history classes Music history courses in London and online which lists our full programme of classes ordered by term, and by day of the week. You may then click on each title to read the full course outline.

Edward Breen Tutor Website

Edward teaches music history and music theory at City lit where he is Head of Programme: Advanced Studies in the School of Performing Arts. His specialism is early music (medieval, renaissance and baroque periods) and he completed his PhD in historical musicology at King's College London (2013) on the performance of medieval music. Outside of teaching, Edward is a regular contributor to Gramophone magazine and has lectured for Dartington International Summer School, London's Southbank Centre and The British Library. He has also worked as a researcher for BBC Proms and written for the journal Early Music (OUP). His recent essays are published in: The Cambridge Encyclopaedia of Historical Performance in Music, (Cambridge University Press); The Montpellier Codex: Studies in Medieval and Renaissance Music 16 (Boydell Press); Recomposing the Past: Representations of Early Music on Stage and Screen (Ashgate 2018); and 30-Second Classical Music (Ivy Press).

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.