Trees in Myth and Story

Delve into the realms of myth and story and discover the tales, folklore, and legends attached to some common trees. Meeting Point: outsideHampstead Heath overground (Mildmay Line).

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  • Start Date: 05 Jul 2026
    End Date: 05 Jul 2026
    Sun (Daytime): 11:00 - 13:00
    In Person
    Location: Off Site
    Duration: 1 session
    Course Code: HS368
    Full fee £29.00 Senior fee £23.00 Concession £29.00
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In stock
SKU
251138
Full fee £29.00 Senior fee £23.00 Concession £29.00

What is the course about?

Discover the enchanting role of trees in myths and folklore,from Britain and around the world. Held in a peaceful outdoor space, this session explores ancient (and some more modern) tales of life, wisdom, and transformation. From rural English folklore, to Yggdrasil in Norse legend, to the sacred groves of Greek mythology, uncover how cultures have revered trees as bridges between worlds, or as valued teachers with much to share. As we engage in story and reflection, you will also have the opportunity to share any personal connections or stories of your own. Participants will discuss themes of growth, resilience, and ecological kinship, deepening their appreciation for nature’s narratives. Leave with fresh perspectives on the trees around you-and perhaps a new favourite myth!

This workshop will be delivered by Dr. Chris Collier, lecturer, and ranger with London National Park City, and co-taught by the city’s trees.

What will we cover?

  • Introduce learners to a range of tree stories and myths from Britain and around the world.
  • Point out some basic tree identification tips and facts.
  • Discuss and deepen connections and appreciation of trees and their stories.

What will I achieve?
By the end of this course you should be able to...

  • Recognise some of major themes and narratives about our common trees.
  • Identify some common tree species and connect this knowledge to their stories.
  • Engage more deeply and creatively with nature, and discuss your own connections with trees.

What level is the course and do I need any particular skills?

This course is suitable both for newcomers to the subject and for those who have some background knowledge. You will need a good grasp of English to keep up with the course. An ability and willingness to explore and share relevant experiences will increase what you get out of the course.

As with many of our courses, an open mind and a respectful willingness to listen to and think about views with which you do not always agree are more important than specific levels of skills.

How will I be taught, and will there be any work outside the class?

You will be taught through a mixture of tutor-led discussion and guided, participatory activities in an outdoor setting. This course takes place in an outdoors area, therefore activities will be weather-dependent and participants should dress in weather appropriate clothing. Tutors are not able to control outdoor sound levels and you will need to be able to walk and stand for some time during the session (you may bring your own portable stool if you have one, but we cannot guarantee access to seating in the space). If you feel you may be impacted by these environmental variations, please inform the department on humanities@citylit.ac.uk before the course begins, to discuss reasonable accommodations we can make to assist your learning.

Are there any other costs? Is there anything I need to bring?

There are no additional costs, but you may wish to bring something to take notes if that is of interest to you.

When I've finished, what course can I do next?

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Christopher Collier

Christopher Collier trained as an artist, before gaining an MA in Cultural Studies at Goldsmiths and a PhD in Art History and Theory from the University of Essex. He has taught at institutions including the University of Essex, Cambridge School of Art, and Winchester School of Art, as well as presenting internationally at a range of workshops and conferences, including at the ICA, London and CCA, Glasgow. His broad range of interests includes the intersections of art and the more-than-human world, along with art's relations to wider political economy and cultural theory. He is an Associate Fellow of the Higher Education Academy.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.