Film season

Push boundaries exploring experimental digital film making. Explore ideas, develop skills and create your own personal project using professional equipment and software. Invaluable for film makers and artists who wish to enhance their moving image practice.

Learn all the stages of film making from initial pre- production planning through to post production editing. Whatever genre interests you, this course will give you the essential skills to realise your own movie.

This course will develop your critical appreciation of the cinema by teaching you how to read and understand film texts. We will look at the elements that underpin film form – narrative, mise en scène, cinematography, editing and sound – alongside its historical development. We will consider film style by exploring classical, post-classical and art cinema and we will examine influential critical modes of analysis, such as genre, authorship and spectatorship.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

What is anime? What are the artistic and narrative features that make these films so instantly recognizable? This one-day film course will provide an overview of the history of Japanese animation cinema, its inextricable links with manga and its multi-faceted and varied productions that range from children’s films to genres such as cyberpunk and yaoi. During the course, we will watch and discuss clips from a variety of production companies and directors, such as Haya Miyazaki, the Studio Ghibli and Katsuhiro Otomo.

Learn how to evaluate and discuss films while enjoying a working example of a City Lit Film Studies class. In this class we will view and explore clips from a number of films, including popular remakes, enabling us to consider and compare themes and techniques from differing filmmaking countries. There will be a chance to review – in brief – film courses at City Lit (January - March 2025).

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis.

Continue your screenwriting journey in this practical intermediate course. Writing exercises, presentations and screenings will teach you key skills, and you’ll begin to produce work and an outline for a full-length project.

Come and join us at the Cultureplex Ciné-Club, where once a week, for 10 weeks (and throughout the rest of the academic year), we will watch and discuss film. Taking its cue from the famous Parisian ciné-club set up by the celebrated critic and writer, André Bazin, ‘the single thinker most responsible for bestowing on cinema the prestige both of an artform and of an object of knowledge’, and the man who foresaw the emergence of film studies as a legitimate discipline of academic study, our contemporary incarnation of the film club will offer a curated series of films for detailed study, discussion and debate. Each film will be introduced, placed in both its cinematic, cultural and historic context. In sharing our viewing in City Lit’s premier screening room, the Cultureplex, we will approximate the experience of watching film in the cinema, one that is intense and fully focussed in a way that other modes of viewing often are not. After the screening we will devote the rest of the class to a collective exploration of the film, led by the tutor, but involving everyone in a participatory discussion that will allow all to express their responses, their views, their thoughts on the film screened.

Once cinema began to develop, Hollywood began to promote stardom. Starting with Florence Lawrence, the industry began to capitalise on star personalities and encourage fandom. This course will examine how the Hollywood star system began and evolved. The course will begin by examining the ‘picture personality’ in 1912 through to the collapse of the traditional star system in the 1960s.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Learn to produce your own short fiction film, from storyboards and pre-production to shooting and editing. Explore how to construct an exciting narrative, experiment with different shots and camera movements, and get to grips with recording and editing technology, producing your own professional-looking short movie.

Paolo Sorrentino has been described as ‘the most promising Italian director of his generation’. This one-day course will explore the cinema of this Neapolitan filmmaker renowned for his ‘commitment to style’. We will look at a number of his films as well as his television work, and examine some of the themes that he has returned to throughout his career, for example, power, nostalgia and solitude. We will also consider his Sorrentino’s relationship with figures such as the cinematographer Luca Bigazzi and the actor Toni Servillo, both of whom have collaborated frequently with the director. So, join us in City Lit’s Cultureplex screening space for day-long immersion into the beautifully stylish cinematic world of Paolo Sorrentino.

This cinema course focuses on Italian cinema in the years between 1945 and 1980. It will provide you with an overview of the main historical, cultural and social aspects of Italian filmmaking in Italy by looking at the work of some of its most influential author/directors.

Looking for an opportunity to build on your previous film making and editing experiences? Want to develop your leaning further, make more effective films with more professional decisions at each stage of production or simply have some further guidance? Then this class is for you.