Ways into advanced art history: style and form

Develop a greater understanding of art history and how to analyse the cultural meaning of an artwork by going in-depth with the ideas of prominent art historians. This course explores the complex links between visual form (or style) and historical context and is meant to train you for art historical level interpretation. Please note: this course is academically focussed.

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  • Start Date: 13 Oct 2026
    End Date: 24 Nov 2026
    Tue (Evening): 18:00 - 19:45
    In Person
    Location: Keeley Street
    Duration: 6 sessions (over 7 weeks)
    Course Code: VB938
    Tutors:  Sarah Jaffray
    Full fee £169.00 Senior fee £169.00 Concession £110.00
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SKU
247342
Full fee £169.00 Senior fee £169.00 Concession £110.00

What is the course about?

This art history course examines the central, historical core of art historical work: how do visual elements link to historical context and concepts? To do this we will examine different ways of reading art: aesthetics, formalism, artistic process and how close looking is the foundation of art historical work.

Please note: this course is academically focussed. It is meant to be preparatory for academic study at university or independently. The readings are required as are weekly discussions on the topics as part of a larger group and in smaller, breakout group conversations/work with your peers on the course. Please carefully read the section 'How will I be taught' below before making the decision to sign up for this course.

The course aims to make students more critically aware of how form and visual style are linked to broader cultural standards. It also looks at how the analysis of beauty in art has shaped cultural perception and expectation of what art and the work of artists is supposed to achieve. How to begin to analyse visual style (rather than just subject matter) provides a valuable foundation for students who want to ask critical questions about the meaning of an artwork.

We develop an understanding of form and style by exploring foundational works on visual form in art including academic writings by Erica Moiah James, Johann Joachim Winckelmann, Griselda Pollock, Heinrich Wölfflin, Clement Greenberg, Leon Battista Alberti, Linda Nochlin, Guo Xi. Reading will be accompanied by looking at art, of course.

What will we cover?

• Week 1: defining and identifying style
• Week 2: aesthetics and the origins of art history
• Week 3: formalism - looking with judgment?
• Week 4: artistic process, from the artist's perspective
• Week 5: social theories of space
• Week 6: presentations and reflections on subjectivity

What will I achieve?
By the end of this course you should be able to...

• Discuss the impact of aesthetics (the social appreciation of beauty) on art/an artwork
• Describe the theories/art historical philosophy/method of one or more of the major art historians we discuss in this course
• Critically engage with the subject of an artwork and question how it might relate to broader cultural concepts

What level is the course and do I need any particular skills?

This course is for people who have done some art historical study before and wish to pursue serious personal or professional work in the subject. Those just starting out are very welcome, but need to be aware this is not an introductory course.

You need a willingness to join in group discussion and consider the views of others. You will be required to read and respond to academic writing and discuss ideas with the larger group.

This course will use a Google Classroom to communicate with students. You must be willing to access the Google Classroom to participate; you will be sent an invitation to the Google Classroom within a week of the course start date.

How will I be taught, and will there be any work outside the class?

You will be taught with academic texts, prompts, seminar sessions, workshop-like activities and lecture.

The first hour of each session will be devoted to discussing the readings and applying ideas to the interpretation of artworks. The last 30-45 mins of the session will be lecture, where the tutor will further synthesise the subject of the session.

This course has required homework. You will be asked to read assigned pieces of art historical writing each week and be prepared to share your thoughts on these readings in group discussion. Required readings will be printed for you, but if you are absent, you can retrieve them from the Google Classroom.

At the end of the course, you will be asked to present the analysis of an artwork in speech and/or writing (of approximately 200-400 words, maximum).

Homework is required for your participation in this course. Each week, reading and artwork analysis will take an estimate of 1-2 hours outside of class time, each week. If you are unable to take this time to complete the homework each week, you will not be able to adequately experience the course materials.

Are there any other costs? Is there anything I need to bring?

You might wish to bring a notebook. You might wish to buy some of the books on any reading list given out in class.

When I've finished, what course can I do next?

Ways into advanced art history: historiography
Ways into advanced art history: museums, research and critique
A history of art in 100 objects
A history of modern art in 50 objects

Sarah Jaffray Tutor Website

Sarah is an art historian, educator, curator and writer based in London. Before her current position as art history tutor coordinator and programme lead at City Lit Sarah was a curator in the Department of Prints and Drawings at the British Museum. For six years, she was the lead educator for the Bridget Riley Art Foundation and has also worked at Wellcome Collection exploring the connections of art, medicine and human experience. Sarah has been an art history lecturer since 2003. Her first MA was in art history, her second MA was in cultural studies and her BA (first) was in art history. Sarah's expertise is in late 19th/early 20th century French art, but is also a generalist, teaching on a variety of topics and prefers to place artworks and objects in their wider social and cultural contexts, from the European Renaissance to the contemporary, emphasising new narratives and approaches to Western Art History.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.