Ways into playwriting
Time: 17:30 - 19:30
Location: Keeley Street
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What is the course about?
This introductory course explores the fundamental techniques of writing for the stage: dialogue, character, structure, story and performance. This is a hands-on course and the emphasis is on practical and critical exercises. You will have a chance to read and respond to published work, and use it as a source of inspiration as you begin to produce your own dramatic writing, through in-class exercises and assignments.
Students like: "the enthusiasm and focus on the subject"; "the exercises that bridged the gap between theory and practice"; "it's made me push myself and try new things"; "the tutor was inspiring and the group felt supportive.".
What will we cover?
- The essential skills needed for dramatic writing
- Designing characters, telling a story in a way that works for the stage, and turning your raw ideas into a structured whole
- Theatrical writing techniques including dialogue and subtext.
What will I achieve?
By the end of this course you should be able to...
- Respond to and assess pieces of writing with sensitivity.
- Demonstrate increased familiarity with a range of techniques required for dramatic writing
- Feel confident as you embark upon your own work
- Give and use constructive criticism.
What level is the course and do I need any particular skills?
This course is designed to introduce students to writing for the stage, and no previous playwriting experience is necessary. However, it would be helpful if you had some experience of creative writing, for instance through attending a 'Ways into creative writing' course. Fluent spoken and written English is essential; an active interest in theatre and new writing for the stage are expected.
If you have prior or current experience working in theatre but have never written a play or taken a playwriting course, we recommend that you enrol on Ways into playwriting before progressing to the intermediate or advanced level.
How will I be taught, and will there be any work outside the class?
You'll be expected to produce some written work at home, and to read plays and extracts from plays. You are also strongly enouraged to watch recordings of live performances of contemporary plays where you can.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
All primary course materials will be provided. You will also be directed to supplementary resources such as play texts and a digital theatre archive that may attract a cost. Please bring writing materials.
When I've finished, what course can I do next?
If you would like to continue building your confidence you are welcome to repeat Ways into playwriting, though we recommend you do so with a different tutor so as to experience a new approach. You can also progress to the intermediate level course Developing your playwriting.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Dawn is an award-winning writer working in theatre, film, TV, radio and other forms. Her new play ADDICTIVE BEAT, produced by Boundless, runs at Dilston Gallery, Southwark, 21st Sept to 7th October. Recently her play THE TRIALS had a sold out run at Donmar Warehouse. It was a finalist for the Susan Smith Blackburn Prize. Dawn is currently working on a radical reinterpretation of THE CHERRY ORCHARD from the perspective of the trees, for director Katie Mitchell at the Deutsches Schauspielhaus Hamburg. She is also working on the feature film PIG CHILD for Delaval Film and the BFI and adapting her play FOXFINDER for the screen with Elation Pictures and the BFI.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.