A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.
Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
You have an idea for a script and want to start work on it, but you need to find out if your story is ready. Is it relatable? Is your premise clear and your setting interesting? Is your story original? Are your turning points earned and your shifts in mood convincing? What does the protagonist in your story really want? Are their needs and goals properly defined? Does your character have a strong enough motivation to stay the course?
What will we cover?
On this weekend workshop you will take part in exercises that will explore new ways of looking at your project and characters to make sure the project is in a good shape to begin your first draft. All the exercises will be based around things you can work into your own script. We will take a deep look at effective openings, character, structure and turning points.
What will I achieve? By the end of this course you should be able to...
- Produce a basic structure/outline for a screenplay - Create a well-rounded, original protagonist with a strong central goal. - Identify themes that are present in the narrative and expand upon them - Explain the importance of creating a strong, clear, dynamic opening scene that grabs the readers attention in the first 10 pages of your screenplay and keeps them hooked throughout.
What level is the course and do I need any particular skills?
This is a course for people who have an idea they think is ready to write and want to explore the story in a workshop environment.
How will I be taught, and will there be any work outside the class?
Through discussion, presentations, viewing of film and TV extracts and use of the internet. Also exercises both during and outside the class evaluated by tutor and peers.
For people to get the maximum benefit from the workshop students should have an idea they wish to explore that they bring with them, this course is for people with an existing idea who wish to explore the story and produce some draft pages.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
Pen, paper or whatever electronic writing device you wish. There will be writing!
Learners will get more from the course when they have a project to apply the exercises to.
When I've finished, what course can I do next?
This would be a perfect workshop to attend prior to signing up for 'Developing your screenwriting' or 'Screenwriting for feature film'.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Bluesky.
Clive Ford writes for film and stage. He graduated from UAL with an MA in screenwriting. He currently works as a lecturer at the University of Creative Arts in Farnham and at the University of Bedfordshire where he teaches writing for the screen.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.
product
https://www.citylit.ac.uk/write-your-screenplay-from-idea-to-first-draft2489887Write your screenplay: from idea to first drafthttps://www.citylit.ac.uk/media/catalog/product/w/r/write_your_screenplay-square_1.jpg7979GBPInStock/Courses/Courses/Writing/Writing for stage and screen/Writing for stage and screen/Courses/Writing/Courses/Writing/Writing for stage and screen/Courses/Online courses2285159113581136051731122851358113605A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.003048865Write your screenplay: from idea to first draft7979https://www.citylit.ac.uk/media/catalog/product/w/r/write_your_screenplay-square_1_5.jpgInStockDaytimeSatOnlineAvailable coursesOne-off onlyWeekend2027-03-20T00:00:00+00:00Beginners, Some experience, Advanced, Suitable for allMar 2027WritingHW6507979Write your screenplay: from idea to first draft795179Clive Fordwrite-your-screenplay-from-idea-to-first-draft/hw650-2627A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.0000-Available|2027-03-20 00:00:00You have an idea for a script and want to start work on it, but you need to find out if your story is ready. Is it relatable? Is your premise clear and your setting interesting? Is your story original? Are your turning points earned and your shifts in mood convincing? What does the protagonist in your story really want? Are their needs and goals properly defined? Does your character have a strong enough motivation to stay the course?A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.On this weekend workshop you will take part in exercises that will explore new ways of looking at your project and characters to make sure the project is in a good shape to begin your first draft. All the exercises will be based around things you can work into your own script. We will take a deep look at effective openings, character, structure and turning points.- Produce a basic structure/outline for a screenplay<br>- Create a well-rounded, original protagonist with a strong central goal. <br>- Identify themes that are present in the narrative and expand upon them<br>- Explain the importance of creating a strong, clear, dynamic opening scene that grabs the readers attention in the first 10 pages of your screenplay and keeps them hooked throughout.This is a course for people who have an idea they think is ready to write and want to explore the story in a workshop environment.Through discussion, presentations, viewing of film and TV extracts and use of the internet. Also exercises both during and outside the class evaluated by tutor and peers.<br><br>For people to get the maximum benefit from the workshop students should have an idea they wish to explore that they bring with them, this course is for people with an existing idea who wish to explore the story and produce some draft pages.<br><br><br>All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit. <br><br>For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines. <br />
<br />
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our <a href=" https://www.citylit.ac.uk/expectations-for-participating-in-writing-courses" target="_blank">expectations for participating in writing courses at City Lit</a>.Pen, paper or whatever electronic writing device you wish. There will be writing!<br><br>Learners will get more from the course when they have a project to apply the exercises to.<p>This would be a perfect workshop to attend prior to signing up for 'Developing your screenwriting' or 'Screenwriting for feature film'.<br><br>All students are invited to join us at <a href=" https://www.citylit.ac.uk/latelines" target="_blank" rel="noopener noreferrer">Late Lines</a>, our regular performance night for City Lit writers. Students are also encouraged to submit their work to <a href="https://www.citylit.ac.uk/betweenthelines" target="_blank" rel="noopener noreferrer">Between the Lines</a>, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on <a href="https://www.facebook.com/citylitcreativewriting" target="_blank" rel="noopener noreferrer">Facebook</a> and <a href="https://bsky.app/profile/citylitwriting.bsky.social" target="_blank" rel="noopener noreferrer">Bluesky.</a></p>Writing for stage and screenWriting for stage and screenvirtual797951HW650NONESat20/03/2710:30 - 16:3010:3016:301 session1One-off onlyWeekendOnlineOnlineClive FordBeginners, Some experience, Advanced, Suitable for allAvailable courses2027-03-20T00:00:00+00:00DaytimeMar 2027Writing7979Write your screenplay: from idea to first draftwrite-your-screenplay-from-idea-to-first-draft/hw650-2627A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.0000-Available|2027-03-20 00:00:00You have an idea for a script and want to start work on it, but you need to find out if your story is ready. Is it relatable? Is your premise clear and your setting interesting? Is your story original? Are your turning points earned and your shifts in mood convincing? What does the protagonist in your story really want? Are their needs and goals properly defined? Does your character have a strong enough motivation to stay the course?A good screenplay starts with a good story but it also needs structure, good characters and interesting twists. This is a course for writers who have an idea they think is ready to go. We’ll look at the best ways to grab the viewers’ attention from the off, and at the end of the course you’ll get a chance to pitch your ideas.On this weekend workshop you will take part in exercises that will explore new ways of looking at your project and characters to make sure the project is in a good shape to begin your first draft. All the exercises will be based around things you can work into your own script. We will take a deep look at effective openings, character, structure and turning points.- Produce a basic structure/outline for a screenplay<br>- Create a well-rounded, original protagonist with a strong central goal. <br>- Identify themes that are present in the narrative and expand upon them<br>- Explain the importance of creating a strong, clear, dynamic opening scene that grabs the readers attention in the first 10 pages of your screenplay and keeps them hooked throughout.This is a course for people who have an idea they think is ready to write and want to explore the story in a workshop environment.Through discussion, presentations, viewing of film and TV extracts and use of the internet. Also exercises both during and outside the class evaluated by tutor and peers.<br><br>For people to get the maximum benefit from the workshop students should have an idea they wish to explore that they bring with them, this course is for people with an existing idea who wish to explore the story and produce some draft pages.<br><br><br>All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit. <br><br>For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines. <br />
<br />
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our <a href=" https://www.citylit.ac.uk/expectations-for-participating-in-writing-courses" target="_blank">expectations for participating in writing courses at City Lit</a>.Pen, paper or whatever electronic writing device you wish. There will be writing!<br><br>Learners will get more from the course when they have a project to apply the exercises to.<p>This would be a perfect workshop to attend prior to signing up for 'Developing your screenwriting' or 'Screenwriting for feature film'.<br><br>All students are invited to join us at <a href=" https://www.citylit.ac.uk/latelines" target="_blank" rel="noopener noreferrer">Late Lines</a>, our regular performance night for City Lit writers. Students are also encouraged to submit their work to <a href="https://www.citylit.ac.uk/betweenthelines" target="_blank" rel="noopener noreferrer">Between the Lines</a>, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on <a href="https://www.facebook.com/citylitcreativewriting" target="_blank" rel="noopener noreferrer">Facebook</a> and <a href="https://bsky.app/profile/citylitwriting.bsky.social" target="_blank" rel="noopener noreferrer">Bluesky.</a></p>Writing for stage and screenWriting for stage and screenconfigurable
159113605Writing for stage and screenhttps://www.citylit.ac.uk/courses/writing/writing-for-stage-and-screen/writing-for-stage-and-screen-11/2/285/13581/13605/1591/Courses/Writing/Writing for stage and screen/Writing for stage and screen
