Courses in London & Online

Discover the rich history of museum collections, their role in preserving cultural heritage, and their evolving connections with communities. Engage with critical debates on heritage, representation, and decolonisation.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.

Metaphysics is concerned with fundamental philosophical questions about the nature of reality. Many of those questions naturally raise further philosophical questions about what we can know – questions of epistemology. This course is an introduction to some of the most historically significant approaches to such questions.

Come and explore the work of three pioneering American satirists of the inter-war years. Ranging from sharp, dry, bitter irony to macabre laughter, the precise insights of Dorothy Parker, Nathanael West, and Sinclair Lewis still resonate with modern readers. We’ll look at their dissection of society, considering their critiques of social aspiration, snobbery, status anxiety, and The American Dream.

This class is suitable for total beginners who have little or no experience of lipreading or who have completed a lipreading class at any level in the past, but want to go back to basics. You will learn how to recognise some sounds that are visible on the lips and how to use other tactics to support lipreading and how to manage hearing loss.







This course will be taught in spoken English and not in sign language.







See the ‘What is the course about?’ section in course details for more information.

This class is suitable for if you have completed beginners modules 1 and 2 or have completed a lipreading class in the past and already have a basic understanding of lipreading theory and fingerspelling. You will develop your lipreading and fingerspelling skills and build your confidence.







This course will be taught in spoken English and not in sign language.







See the ‘What is the course about?’ section in course details for more information.