Craft focus: how to edit your story (fiction and non-fiction)
Time: 10:00 - 17:00
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
Course Code: HW401
Duration: 1 session
What is the course about?
This course is about helping your fiction and/or non-fiction find the best version of itself. You may be interested in working with a professional editor, or connecting directly with a readership, or you may simply want to understand how to apply a critical eye to your own creations. This course will help you understand the different types of edit available to writers, and enable you to apply and practice a key skill from each essential editorial stage to your own work.
This course will focus on the editing process exclusively. It will not cover self-publishing, or submitting work to agents and professional editors.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
- What is editing? Purpose, stages, and key approaches
- Stage one: structural edit
- Stage two: line editing
- Stage three: copy editing and proofreading
- How to find a professional freelance editor
- Working with a professional editor: what to expect.
What will I achieve?
By the end of this course you should be able to...
- Understand the essential elements of the professional editing process
- Use key techniques in each of the editorial phases to edit your own work
- Develop strategies to apply the techniques you learn to the rest of your writing.
What level is the course and do I need any particular skills?
This is an intermediate course. Students should have attended an introductory creative writing course at City Lit and have some of their own writing available to put through the editing process. You will need to be open to sharing and critiquing your own work, and fluent in English.
How will I be taught, and will there be any work outside the class?
A mix of editing exercises, group work, pair work, class discussion around edited samples and formal instruction from the tutor.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day, regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
There are no additional costs. You will need to bring the following to class:
- Max 2 pages of your own writing to use for editing practice.
- 1-page outline of your fiction or non-fiction project
- Writing materials.
When I've finished, what course can I do next?
If you would like to continue developing your editing skills you can enrol in the longer course Editing your manuscript: from first draft to final proof. If you are ready to submit your work for rigorous constructive feedback, you may also consider enrolling in one of our Advanced Fiction Writing Workshops or Creative-nonfiction. Collect the remainder of our Craft focus courses, on elements such as character, plot, setting, and point of view to give your prose further focused attention.
You may also be interested in the following professional development courses:
- Create your author platform online
- How to write a novel synopsis
- Approaching an agent
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Elena Lappin is a writer and editor. Born in Moscow in 1954, she grew up in Prague and Hamburg, and has lived in Israel, Canada, and the United States before settling in London, UK. She is the author of WHAT LANGUAGE DO I DREAM IN? (a memoir), as well as THE NOSE (a novel) and FOREIGN BRIDES (stories). She has contributed investigative journalism to numerous publications including Granta, Prospect, and The Guardian, and. She is former founding editor of ONE, an imprint of Pushkin Press where she published exceptional debut novelists including Olivia Sudjic and Chigozie Obioma (shortlisted for Man Booker Prize). She is also former podcast host, and international literary scout.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.