Developing your novel
Time: 18:00 - 20:00
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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What is the course about?
This one-term course for experienced creative writers explores the essential techniques of novel writing. If you've started writing your novel and have completed a number of chapters, this course will help you to shape your material into a coherent whole, and teach you to develop believable characters, structure scenes, and edit your own work.
Students say: "I loved the stimulating atmosphere and the motivating comments from the workshop"; "There was critical feedback encouraging excellence"; "Very inspiring"; "It was encouraging, challenging and affirming.".
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
- Developing techniques for novel writing
- The art of constructive criticism and editing your own work
- Creating and honing a character
- Beginnings, endings, and everything in between
- Methods to thwart writers’ block.
What will I achieve?
By the end of this course you should be able to...
- Respond to and assess pieces of writing with sensitivity
- Improve your plotting and editing skills
- Produce a significant portion of your novel.
What level is the course and do I need any particular skills?
This is not a beginners' class. It is best suited for students who have already attended creative writing courses and
have made significant progress writing a draft of a novel. You should be an enthusiastic reader of novels.
How will I be taught, and will there be any work outside the class?
Some exercises will be set and hand-outs analysed, but the main focus will be on students' own work. You will be expected to develop your own writing outside of class and prepare work for submission to workshop. The tutor may set reading and writing exercises designed to support your project as homework.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
No additional costs. Please bring writing materials.
When I've finished, what course can I do next?
You can progress to Ending your novel or, if you feel ready to submit your work for rigorous constructive feedback, you can move on to Advanced fiction writing workshop.
Our Craft Focus series is also available to writers who wish to focus on an isolated element of fiction writing craft. We offer short intensive courses in developing character, plot, setting, point of view, and more. See our website or contact the department for advice on how you can develop a programme of fiction writing study.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Elena Lappin is a writer and editor. Born in Moscow in 1954, she grew up in Prague and Hamburg, and has lived in Israel, Canada, and the United States before settling in London, UK. She is the author of WHAT LANGUAGE DO I DREAM IN? (a memoir), as well as THE NOSE (a novel) and FOREIGN BRIDES (stories). She has contributed investigative journalism to numerous publications including Granta, Prospect, and The Guardian, and. She is former founding editor of ONE, an imprint of Pushkin Press where she published exceptional debut novelists including Olivia Sudjic and Chigozie Obioma (shortlisted for Man Booker Prize). She is also former podcast host, and international literary scout.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.