Documentary film shorts: interview tips every filmmaker should know
Time: 10:30 - 16:30
Location: KS - Keeley Street
This course is FREE if a) you live in London and your job is at risk of redundancy or b) you are either on Jobseekers' Allowance (JSA) or Employment & Support Allowance(ESA) or c) you receive other state benefits (including Universal Credit) and your monthly take home pay is less than £343. For more information click here
This course takes place in the classroom, please follow this link to find out what we are doing to keep you safe: Staying COVID-19 secure at City Lit
Course Code: VG143
Duration: 3 sessions (over 3 weeks)
What is the course about?
When using interviews as the driving force of your documentary you need to maximise your chances of getting both a good take (camera/mic) and also good material (interview content). A further consideration is B-roll, the material you cut to, to add further dimension to the story. Join this class to pick up a few tricks you may not know about yet.
What will we cover?
- Preparing for an interview – things you never thought about
- Choice of camera/mic – equipment and where to place it for maximum effect.
- Shooting the interview – preparing for the worst
- Strategies for framing your subject – sub-text in action.
What will I achieve?
By the end of this course you should be able to...
- Identify the most important elements in preparing for an interview
- Recognise favourable positions for camera and mic
- Differentiate between at some of the different camera and mic options
- Prepare different strategies for framing your subject.
What level is the course and do I need any particular skills?
This class is open to students with or without prior experience. It covers both basic and more advanced elements of the planning and execution of interviews with subjects. No experience is necessary but it is an advantage if you have some prior experience with shooting moving image footage and are comfortable using a computer.
How will I be taught, and will there be any work outside the class?
In each session there will be demonstrations, discussions and practical work, including group and individual exercises, allowing for some individual guidance and tutorial support. Periodically there will be forum sessions where we will look at each other’s work to discuss different aspects of the process in general and your own work in particular. Asking questions and commenting is encouraged at all times. Handbooks, manuals and worksheets are available. This class strongly encourages homework and additional, independent engagement between sessions.
Are there any other costs? Is there anything I need to bring?
You are advised to purchase removable storage to collect and keep your data safe, though you will have your own account in class where you can accumulate your work from week to week. You might also want to consider purchasing other books related to the subject of film making and editing. We will also provide you with a range of hand-outs. Please note that a portable hard drive/USB stick if PC formatted can be read by Apple mac computers, but not written to.
When I've finished, what course can I do next?
You can enhance your documentary skills through courses in Documentary film shorts: techniques for high impact film making and Documentary film shorts: improving your film with B-roll. You can also further develop your skills and interest in Film and Video through a range of courses at the City Lit in digital film making, including experimental, narrative and DSLR film making, editing on a range of platforms to cater for different levels, digital and traditional animation, animated SFX using Adobe After Effects and sound.
Lily is a freelance film editor and consultant. Her main work over the past 10 years has been in helping people turn their dreams and visions into interesting films and successful artworks. She specialises in film editing, but also consults on all other aspects of film making and fine art. “To me, helping people find the stories the really want to tell and turn them into enjoyable and interesting films is uniquely rewarding and deeply fulfilling. I am particularly interested in enabling people’s own capacity, teaching them both practical skills (e.g. use of software and technical aspects of filmmaking) alongside conceptual underpinnings and critical engagement (version of visual literacy).” She has been teaching film and video related subjects ever since her own postgraduate student days. She is also an award-winning and internationally exhibited/collected artist.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.