Masterclass: fiction (a year-long workshop)

Course Dates: 04/10/23 - 26/06/24
Time: 19:40 - 21:40
Location: Online
This intensive three-term fiction workshop is open by selective application and interview to a maximum of ten fiction writers working at the advanced and professional levels. Please note: the deadline for applications is 27 August. Shortlisted candidates will be invited to interview via Zoom on 6 September.
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Full fee £879.00 Senior fee £879.00 Concession £879.00

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Masterclass: fiction (a year-long workshop)
This course has started
  • Course Code: HW387
  • Dates: 04/10/23 - 26/06/24
  • Time: 19:40 - 21:40
  • Taught: Wed, Evening
  • Duration: 33 sessions (over 39 weeks)
  • Location: Online
  • Tutor: Thomas McMullan

Course Code: HW387

Started Wed, eve, 04 Oct - 26 Jun '24

Duration: 33 sessions (over 39 weeks)

Call us to check your level, see if you can still join the course or to discuss other suitable courses

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

This course is designed to support advanced and professional fiction writers who are working on long or short form fiction projects with a view to publication. Selected students will enrol for three terms. The course offers an opportunity to share and receive constructive critical feedback, network with other writers, and discuss elements of advanced fictional craft.

This course is suitable only for fiction writers who have advanced workshop experience and/or a history of publication. Writers are invited to submit details of their writing background and workshop experience, as well as a 500 word writing sample. Please click "Start Assessment" to begin your submission.

Deadlines for this course are as follows:
Applications due: 27 August 2023
Shortlisted candidate interviews: 6 September 2023

Writers will not be authorised for enrolment except by way of this process.

Please note that an instalment plan is available for this course, and students can pay the course fee on a termly basis. For more information, please contact our Enrolments team: (telephone temporarily unavailable).

Students say: "There was a very positive group culture"; "I received detailed feedback from the other course participants"; "Good quality, thoughtful feedback from other students and the tutor"; "It was inspiring and motivating"; "Excellent!".

What will we cover?

- Constructive workshopping of short stories and novel excerpts
- Advanced craft issues that arise from the material under review
- The process of revision.

What will I achieve?
By the end of this course you should be able to...

- Assess and respond to pieces of writing with acumen and sensitivity
- Identify complex issues involved in writing fiction, short stories, novellas, novels, etc.
- Apply your critical and editorial skills to your own work
- Produce submissions for comment on a regular basis.

What level is the course and do I need any particular skills?

This three-term course is open for enrolment by application only. Shortlisted applicants will be invited to interview with the tutor and the coordinator of creative writing. It is suitable only for fiction writers who have advanced workshop experience and/or a history of publication. You will be an enthusiastic reader of fiction, able to commit to attending regularly and participating fully, and fluent in English.

What is the selection process?

All applications will be evaluated by the creative writing coordinator. Writers will be informed of the outcome of their application (decline, waitlist, or shortlist) shortly after the application deadline. Shortlisted applicants will be invited to interview with the tutor via Zoom on Wednesday 6 September. The course will operate a waitlist. In the event that a selected writer cannot attend their interview or take up their space, it will be offered to a student on the waitlist.

How is the shortlist chosen?

The creative writing coordinator will take the following into account:

- Technical ability: does the writer possess the sentence level and structural acumen required to workshop at the advanced level?
- Storycraft: is the fiction compelling, fresh, original? Does it make you want to read on?
- Prior experience: does the writer possess previous advanced workshop experience? Is there suitable evidence of commitment to professional development in the craft?

The creative writing coordinator will also consider group dynamics and how each writer's particular strengths will support and encourage overall peer learning.

How will I be taught, and will there be any work outside the class?

Through discussion, peer evaluation and tutor feedback. You will be required to read peer workshop submissions closely at home, and provide detailed feedback that will then be shared in class. The tutor may also assign additional writing and reading exercises designed to support your project.

All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.

For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.

City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.

Are there any other costs? Is there anything I need to bring?

There are no additional costs. You will be expected to submit your work to the workshop.

When I've finished, what course can I do next?

You are welcome to apply to our year-long masterclass again, though as the pool of applicants will change each year, there is no guarantee you will be admitted. Similarly, you are welcome to apply to our term-long masterclass, where the same caveat will apply. We also recommend the 'Advanced fiction writing workshop', which will operate at a similar level to the Masterclass.

Our Craft Focus series is also available to writers who wish to focus on an isolated element of fiction writing craft. We offer short intensive courses in developing character, plot, setting, narrative time, and more. See our website or contact the department for more advice on how you can develop a programme of fiction writing study.

All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.

Thomas McMullan

Thomas McMullan is a writer and artist. His debut novel, The Last Good Man (Bloomsbury) won the 2021 Betty Trask Prize. His short fiction and poetry have been published in Granta, 3:AM Magazine and Best British Short Stories, and his journalistic work has appeared in publications including the Guardian, Times Literary Supplement, Frieze and BBC News. He has also worked with theatre companies and games studios in London, Amsterdam and Los Angeles, including Punchdrunk, The Chinese Room and Roll7 (Bafta: Best British Game, 2023).

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.