Music history book club
Time: 11:00 - 12:30
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
Course Code: MD615A
Duration: 1 session
What is the course about?
This term’s book is:
Sounds and Sweet Airs: The Forgotten Women of Classical Music by Anna Beer
Published 2016, Oneworld publication
It covers 8 composers: Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy.
Please read the book in advance and come prepared to chat about it.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
- Biographical discussion about key events in the lives of the composers featured in these stories
- Discussion of selected works mentioned in the book
- Critical reception of the book (reviews etc…)
- Our personal perceptions of this work.
What will I achieve?
By the end of this course you should be able to...
- discuss one or two themes in the book with confidence
- voice opinions with fellow music enthusiasts
- discuss related works (films inspired by the book, or other similar books).
What level is the course and do I need any particular skills?
This book club meeting is suitable for absolute beginners. You don’t need to know lots about music to join in. However, we do ask that you read the book (or as much of it as possible) so that you can join in the discussions.
How will I be taught, and will there be any work outside the class?
The single session will comprise combinations of mini-lecture, question-and-answer, guided listening, video and much discussion. The tutor may lead on topics (e.g. presenting a featured work in more detail) which the book club students will then discuss. At all times you are encouraged to present your own opinions and knowledge to the group and join in thoughtful and respectful discussion.
You may wish to enjoy extra reading after this class and suggestions will be listed on Google Classroom afterwards.
Are there any other costs? Is there anything I need to bring?
Please bring your copy of the chosen book to the session so that you can refer to it during discussions.
You may also wish to purchase some of the other music books or recordings discussed in class, links to these materials will be available online after the session.
When I've finished, what course can I do next?
Music history book club is scheduled towards the end of each term.
To find out more about music history classes Music history courses in London and online which lists our full programme of classes ordered by term, and by day of the week. You may then click on each title to read the full course outline.
Trish trained as a violinist, singer and historical musicologist, with a specialism in music since 1900. She has worked variously as a university and college lecturer, choral conductor and arranger, and orchestral violinist, and has taught a wide range of subjects including choral singing and conducting, composition techniques, music theory, analysis and musicianship, music history, violin and chamber music. She has published and presented at conferences on French music (especially Ravel), and Australian music and cultural history. At City Lit, Trish currently teaches Choir at Lunchtime and Composition techniques, and supports Orchestra workshop. Her interests in the arts also include contemporary theatre, dance and visual arts.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.