Music history book club

Course Dates: 12/04/21
Time: 11:00 - 12:30
Location: Online
Tutors: 
The music history book club meets towards the end of each term to discuss novels and biography with musical themes and references relevant to the music history programme. This term’s book; Music Ho! (Constant Lambert).
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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SKU
163451
Full fee £19.00 Senior fee £15.00 Concession £12.00

Course Code: MD615B

Please choose a course date 

Mon, day, 12 Apr - 12 Apr '21

Duration: 1 session

Or call to enrol:020 7831 7831

Any questions? music@citylit.ac.uk
or call 020 7492 2630

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Center for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

This term’s book is:
- Music Ho!: a study of music in decline
- Author: Constant Lambert
- Publisher: Pelican books / Hogarth

“The theme of the book is modern music in relation to the other arts and in relation to the social and mechanical background of modern life,” Lambert writes in the preface to the first edition.

This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
- Earphones/headphones/speakers.
We will contact you with joining instructions before your course starts.

What will we cover?

- Biographical discussion about key events in Lambert's life
- Critical reception of the book (reviews etc…)
- The function of music history books, and this book in particular
- Our personal perceptions of this work.

What will I achieve?
By the end of this course you should be able to...

- discuss one or two themes in the book with confidence
- voice opinions with fellow music enthusiasts
- discuss related works (films inspired by the book, or other similar books).

What level is the course and do I need any particular skills?

- This book club meeting is suitable for absolute beginners. You don’t need to know lots about music to join in. However, we do ask that you read the book (or as much of it as possible) so that you can join in the discussions.

How will I be taught, and will there be any work outside the class?

This is an online course:
The single session will be held via video-conference (google meets) and will comprise combinations of mini-lecture, question-and-answer, guided listening, video and much discussion. The tutor may lead on topics (perhaps discussing a work mentioned in more detail) which the book club students will then discuss. At all times you are encouraged to present your own opinions and knowledge to the group and join in thoughtful and respectful discussion.

Are there any other costs? Is there anything I need to bring?

Please bring your copy of the chosen book to the session so that you can refer to it during discussions.
You may wish to bring a pen/pencil and a folder to keep notes. You may also wish to purchase some of the other music books or recordings discussed in class, links to these materials will be available online after the session.

You will need a good internet connection and a computer with microphone & webcam. If using a tablet it will need a screen large enough for you to comfortably view the class handouts.
You may also wish to purchase some of the music books or recordings discussed in class, links to these materials will be available online after each session.

When I've finished, what course can I do next?

Music history book club is scheduled towards the end of each term.
To find out more about music history classes Music history courses in London and online which lists our full programme of classes ordered by term, and by day of the week. You may then click on each title to read the full course outline.

Edward Breen Tutor Website

Edward teaches music history and music theory at City lit where he is Head of Programme: Advanced Studies in the School of Performing Arts. His specialism is early music (medieval, renaissance and baroque periods) and he completed his PhD in historical musicology at King's College London (2013) on the performance of medieval music. Outside of teaching, Edward is a regular contributor to Gramophone magazine and has lectured for Dartington International Summer School, London's Southbank Centre and The British Library. He has also worked as a researcher for BBC Proms and written for the journal Early Music (OUP). His recent essays are published in: The Cambridge Encyclopaedia of Historical Performance in Music, (Cambridge University Press); The Montpellier Codex: Studies in Medieval and Renaissance Music 16 (Boydell Press); Recomposing the Past: Representations of Early Music on Stage and Screen (Ashgate 2018); and 30-Second Classical Music (Ivy Press).

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.