Royal palaces, patrons and art treasures
Time: 14:30 - 16:30
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
Course Code: VB576
Duration: 5 sessions (over 5 weeks)
What is the course about?
Royal patronage is responsible for some of the most exquisite paintings, artefacts and decadent building projects. Discover some of the key patrons from the Renaissance through to the middle of the seventeenth century and learn how they set about building up their collections and/or affirming their power.
Exploring a different theme each week, we will study the main motivations behind the building of new palaces and private rooms including Isabella d'Este (1474–1539) and her unique creation of a 'studiolo' and the vast and imposing El Escorial of Philip II of Spain (r. 1556–98). Competition was a driving force behind the collections of Charles I of England (r. 1625–1649) and Philip IV of Spain (r.1621-1665) and a means via which to display wealth and confirm their royal power. For artists like Rubens and Velazquez, royal patronage provided the opportunity to achieve European fame, prestige and considerable personal wealth. Discover how female monarchs and rulers such as Marie de Medici, Queen and Regent of France (1600–1610, 1610–1617) and Henrietta Maria, Queen to Charles I were also able to use art to promote their own status in a man’s world.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
- Key art patrons and their collections from the Renaissance to the mid 17th century
- The changing relationship between patrons and artists
- How patrons used art to reinforce their status.
- How this competitive environment led to the emergence of the modern art market, of art dealers and auction houses and the gradual filtering of art collecting down the social strata.
What will I achieve?
By the end of this course you should be able to...
- Identify key art patrons from the Renaissance to the mid 17th century and identify at least two items from their collections
- Describe the relationship between at least two patrons and their artists
- Participate in discussions about the use of art to reinforce personal status.
What level is the course and do I need any particular skills?
This course is suitable for all levels.
You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information, and will be invited to take part in group discussion.
How will I be taught, and will there be any work outside the class?
You will be taught online with slide presentations and group discussions. Handouts will be provided by your tutor to support your learning on the course; these handouts will be available online/digitally for download, not printed out for you.
Are there any other costs? Is there anything I need to bring?
You might wish to purchase a notebook for taking notes. You might wish to buy some of the books on any reading list provided.
When I've finished, what course can I do next?
You might also be interested in:
VB438 - Arts of the empire-builders: Timurids, Safavids and Mughals
VB464 - In depth: early Renaissance
VB815 - In depth: late Renaissance.
Julie Barlow has a degree in Art History/History from the University of Hull and an MPhil (Fine Arts) from the University of Birmingham. She has worked in a variety of roles at Leighton House, V&A and Tate Gallery before studying for a PGCE and moving into Museum Education. Julie has over twenty years of experience as a freelance lecturer at the National Portrait Gallery working on all areas of the Education Programme and also for the first ten years at the National Gallery and in the last decade at the Wallace Collection.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.