Submitting your short stories to magazines
Time: 10:30 - 13:00
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
Course Code: HW325
Duration: 2 sessions
What is the course about?
On this intensive and informative course you will learn how to edit and pitch your short stories so they are ready for submission to magazines and publishers.
This is a live online course. You will need:
- Internet connection. The classes work best with Chrome.
- A computer with microphone and camera is best (e.g. a PC/laptop/iMac/MacBook), or a tablet/iPad/smart phone/iPhone if you don't have a computer.
We will contact you with joining instructions before your course starts.
What will we cover?
Self-editing your work; pitching your short story; looking for representation and navigating the industry.
What will I achieve?
By the end of this course you should be able to...
- Self-edit your short story.
- Use a range of strategies to pitch your short story.
- Respond to the demands of the marketplace.
What level is the course and do I need any particular skills?
This course is aimed at students who have wrriten a short story or are currently working on a short story. Students should either be ready to submit their work or planning to submit in the near future.
How will I be taught, and will there be any work outside the class?
You will be taught through a mix of pair work, group work, discussion and formal instruction from the tutor.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day, regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
When I've finished, what course can I do next?
City Lit offers a range of courses for aspiring authors on topics such as novel writing, memoir, self-publishing and building an author platform. Browse the writing section of our website to find the perfect course for you.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Jonathan Barnes is the author of five novels, most recently Dracula's Child and The City of Dr Moreau. He writes regularly for The Critic, the Times Literary Supplement and the Literary Review. He has written extensively in the audio medium, especially in the areas of licensed fiction - Doctor Who, Torchwood, Sherlock Holmes and others.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.