Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue an...
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Choose a starting date
Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.
Start Date:12 Oct 2026
End Date:11 Jul 2027
Mon+Sat-Sun (Daytime):10:00 - 17:00
Learn both online and in-person
Location: Blended (learn both online and in-person)
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
Book your place
In stock
SKU
243202
Full fee£2,749.00Senior fee£2,199.00Concession£1,924.00
Recognising the extraordinary range of possible approaches to contemporary painting – practical, intellectual, technical and philosophical – this course is designed help you understand and evolve your own artistic methods and thinking in relation to painting and wider contemporary creative practice. Primarily grounded in the activity of making/doing and reflection, projects will expose you to new ideas and approaches, while critical discussion will help you to develop deeper contextual understanding of your own painting practice in relation to historical and contemporary discourses, and methods.
What will we cover?
Intensive, energetic, thought-provoking (and fun!) weekend workshops in our studios will cover, among others, four core contemporary themes: Supports and surfaces; Form, space and scale; Image and automatism; Erasure and addition. Artist-led projects will provide stimulating and proactive starting points, enabling you to interrogate your own thematic and material interests from fresh perspectives, and to explore different means of bringing agency into your work.
Recognising, presenting and celebrating students' achievements is an important part of our advanced courses. There will be an opportunity to exhibit your work during or at the end of this course, either within the college or at an external venue.
What will I achieve? By the end of this course you should be able to...
more fully and confidently engage with and explore approaches to painting in intellectual, material, technical and thematic terms
engage with a wider range of painting concepts and critical ideas, through practice, reflection and peer-group discussion
produce a body of work in response to set project briefs and your own ideas/interests that demonstrates engagement with ideas and processes, and is responsive to critical feedback, at an appropriately advanced level
recognise the value in incomplete or unresolved ideas or experiments in formative and developmental terms, as a tool to support yourself in taking your practice forwards
more clearly understand and (for your own purposes) articulate your relationship to your practice in material,
What level is the course and do I need any particular skills?
This is an advanced course, and is therefore most suitable for painters with a minimum of 2 years independent practice, or experienced painters returning after a break. You will be looking to probe in greater depth, skills and ideas that you have built working independently, and/or on other longer/higher level courses such as, for example, City Lit fine art, Developing art practice, Contemporary painting studio, Contemporary practice personal project, Foundation Diploma.
You will examine your starting point, and, with the help of feedback from 1:1 tutorials and peer critique, set provisional aims for the course. This critical framework will form the basis of your self-directed study plan, and will be revisited at intervals, with tutorial support. Self-reflection is an important part of art education and practice. You will be encouraged and expected to evaluate and review your own learning, ways of working and progress. As a student on an advanced course, you should also be prepared to engage with concepts, debates and methods that may differ from those with which you are familiar.
We welcome applications from advanced practitioners (e.g. BA or MA level) in other visual media who have some painting experience and can demonstrate the necessary commitment to engage in discovery-based painting practice.
How will I be taught, and will there be any work outside the class?
Monthly intensive weekend projects in the studio provide practical focus, including individual tutorial, feedback and group review. These are 10:00-17:00 Saturday and Sunday.
Weekly online seminars: Monday 18:00-20:00 (approximately 3 sessions per month) In addition to the practical workshops, weekly online seminars provide an opportunity to reflect on practice, learning, and concepts that infuse painting discussion. You will receive an advance programme at the beginning of each term, to include artist-practitioner talks and focused discussions or presentations.
1:1 mentoring tutorials will take place on-line once per term (3 in total), and you will be encouraged to prepare a short synopsis of your current work in progress and meet with your tutor on-line. You will have the option to remain with an individual personal tutor throughout the year, if appropriate and depending on your intentions. This relationship can be particularly valuable in supporting you in, for example, application for a higher-level course, an artist’s residency, setting up an exhibition, or developing effective promotional networks and materials.
Learners will be required to keep a sketchbook and/or journal (or digital equivalent) as a routine part of their individual practice, both as a research tool and a personal space for the capturing, investigation and development of ideas. Occasional set-tasks will involve short self-reflective assignments, and/or presentation to peers.
Are there any other costs? Is there anything I need to bring?
Information received in advance regarding each project will include anything you need to bring or research prior to the class. Basic drawing and painting materials will be provided for studio sessions (acrylic paints, oil paints and mediums, cartridge paper and hog brushes). A full list of materials and studio digital-resources (projectors, laptops) will be made available in the course handbook.
Students wishing to work on canvas or panels will need to provide their own. Work-in-progress may be left at the college on a term-by-term basis, however you will be reminded to take work away where possible to ensure its safety. You may also wish to continue working on it at home.
The course will refer to one set-text (book) per term, at an approximate cost of £15 per book (around £50 for the course). This forms part of the delivery and your tutor will advise you in advance of the term starting.
When I've finished, what course can I do next?
Suitable progression routes from this course may include other advanced City Lit courses (eg: Contemporary Fine Art VM551/VM552; Contemporary practice: personal project VM676; Developing art practice VM563), which your tutor will advise, as suits your individual interests and practice. Other options include application to HE courses (BA/MA) in relevant subject specialisms, or practice independently as an individual or as part of a collective.
We’re sorry. We don’t have a bio ready for the tutor of this class at the moment, but we’re working on it! Watch this space.
Clare Barton-HarveySee moreSee less
Clare Barton-Harvey is a full time artist and tutor/trainer living in London. In her teaching, she specialises in life drawing, drawing and mindfulness, working with colour, and painting from the imagination. She is an engaging and inspired tutor responsive to individual need and encouraging of individual growth/expression. In 2003, she studied at the Royal Drawing School, where she engaged in life drawing and the study of contemporary and historic artist’s drawings as part of the Drawing Year. In 2017 she engaged in post-graduate study with Bob and Roberta Smith (RA) and has exhibited solo and in a variety of group shows throughout the UK. You can see her work at www.cbarton-harvey.co.uk. Clare has been a practicing artist & mindfulness practitioner for over 25 years, and has taught drawing and painting for over 18 years, in a variety of locations currently including the National Gallery, British Museum, British Library, Pallant House and Hampton Court Palace. She is also co-founder of LIMINA collective (www.liminacollective.com) who specialise in mindful engagement with art in galleries and museums.
Henry Gibbons GuySee moreSee less
We’re sorry. We don’t have a bio ready for the tutor of this class at the moment, but we’re working on it! Watch this space.
Sam HannerSee moreSee less
Sam Hanner is a contemporary artist and educator living and working in london. He studied BA Fine Art at Goldsmiths, University of London and graduated from the MA Painting course at the Royal College of Art in 2021. He has previously worked at the Royal Drawing School and The King's Foundation where he is currently a core tutor on the Foundation Diploma in Fine and Applied Art. He started working at City Lit in September 2024 having studied towards a PGCE in Further Education. He is motivated by faciliitating a process based dialogue with students of Fine Art, Painting and Drawing and enabling their practices to flourish. Their practice revolves around Painting and Drawing and investigates the place of these practices in the world today, and as a discipline within contemporary art. Previous projects and exhibitions have explored the history and future of wetlands in the UK, specifically the Fens, where he completed a three month artist residency. Sam has worked as a scenic artist for theatre, opera and ballet, a studio technician and an art installer and brings this technical knowledge and experience to his work and his workshops.
Michael Harding was born in Canada, where he studied cinema and photography at Concordia University, Montréal, before moving to the UK. Since then, he has created striking images of architecture, art, people and landscapes for international blue-chip clients for their use in editorial, advertising and corporate applications. Michael’s work has won many industry awards, notably being selected in the Eleventh Association of Photographers Awards and further receiving a Merit Award in the Seventeenth Association of Photographers Awards. His work was selected for a Highly Commended Award in the Deutsche Bauzeitung “Visions in Architecture” European Architectural Photography prize. His work has been exhibited in both the United Kingdom and Canada. Michael has been Chairman, as well as President, of the Association of Photographers (AOP). The AOP is Europe’s most established organisation for professional photographers, working to ensure greater recognition for all professional photographers, as well as working to positively influence legislators in the UK and Europe for the benefit of all photographers.
Stuart JonesSee moreSee less
Stuart Jones has been teaching painting and drawing for 17 years, predominantly on the Foundation Diploma in Art and Design course at London College of Fashion and at Oaklands College in St Albans. He studied Fine Art at Leeds Metropolitan University and has been practicing as an artist for over twenty years. He is a painter working mainly in oil paint and mixed media on canvas. His work is informed by the urban and rural landscape and ideas of utopia, dystopia and the sublime. He is currently a fellow at Digswell arts and was shortlisted for the Beep Painting Prize (2022), John Moores Painting Prize (2020) and awarded the Contemporary Arts Trust Prize (2019). Stuart exhibits nationally, has work in numerous private collections and his work has been loaned to MGM Studios, Paramount British Pictures and the BBC. For more information please visit: https://www.stuartjonesartist.co.uk https://www.instagram.com/stujonesartist/
Mario Lautier Vella is a cross-disciplinary, award-winning artist who began his art career at City Lit. After completing a number of short courses in drawing, painting, printmaking, sculpture and textiles, Mario went on to do the two-year City Lit Fine Art course before going back to university to gain his Masters degree. Mario regularly exhibits in the UK and abroad and his work can be found in private collections around the world. Mario has enjoyed teaching at City Lit since 2011. For more info go to mariolautiervella.com
Joe Richardson is a multi-disciplinary artist working in painting, drawing, collage, video, print and sculpture. Since graduating from his MA in Fine Art at Central Saint Martins in 2018, Joe has worked regularly taught at Foundation and Undergraduate level as well as working with Under 18s. Joe is dedicated to encouraging learners to discover new creative approaches to making, exploring their own interests in relation to art and design, and teaching methods and techniques that help to form the foundation of students' creative careers. Joe has undertaken residencies in Beijing, China and Stokkoya, Norway to develop his collaborative and flexible practice. He currently has a permanent collection of video works on display at Universal Music, Four Pancras Square, and has recently held a solo show at CineWindow Winsford and a duo exhibition at FIVE YEARS, London.
Benjamin SeniorSee moreSee less
Benjamin Senior is a London-based professional artist and teacher specialising in painting and drawing and colour. His teaching practice is driven by his extensive research in to the practical history of painting, often focusing on techniques of the past such as egg tempera and Old Master methods of painting. In his painting practice Benjamin Senior has exhibited nationally and internationally since graduating from MA Painting at the Royal College of Art in 2010, opening exhibitions in New York, Milan, Zurich, and Dubai including the Hayward Gallery Touring exhibition Slow Painting (2019-20). In 2016 he was one of the official printmaking artists of Team GB during the Rio Olympic Games. Committed to bringing an accessible and enlivening approach to painting tuition, teaches in institutions across London including Dulwich Picture Gallery, UAL Camberwell College of Arts, Working Men’s College and City Lit.
Ian TucknottSee moreSee less
Ian is a cultural theorist and creative practitioner, with 15 years experience of teaching & managing in the areas of contemporary art, critical, cultural and communication theory, and art history. Ian has taught at City Lit for over 10 years, and has previously been Programme Manager for the Foundation Diploma in Art & Design and Art History departments, and Head of School for the Humanities & Sciences. Ian's current interests include creative learning and transformative education; contemporary art and theory; and mental health in relation to education and the arts. Alongside his teaching and management work, Ian is an arts based life coach, creative practioner and poet, and is currently training in Arts Psychotherapy.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.
product
https://www.citylit.ac.uk/advanced-painting-practice-and-discourse596205Advanced painting: practice and discoursehttps://www.citylit.ac.uk/media/catalog/product/a/d/advanced-painting-vm200_vm200a.jpg27492749GBPInStock/Courses/Courses/Art & design/Courses/Art & design/Advanced art & design/Courses/Art & design/Advanced art & design/Advanced fine art22851132117011721228511321170Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue and critical discussion. Focused and intensive studio-based weekend projects (once per month), are interspersed with weekly online tutorials, feedback, discussion and seminars.003002251Advanced painting: practice and discourse27492749https://www.citylit.ac.uk/media/catalog/product/a/d/advanced-painting-vm200_vm200a_2.jpgInStockDaytimeMon+Sat-SunBlended (learn both online and in-person)Available courses11 weeks or longerWeekday2026-10-12T00:00:00+00:00AdvancedOct 2026Art & designVM20027492749Advanced painting: practice and discourse219919242749Bukki Adeyemo, Clare Barton-Harvey, Henry Gibbons Guy, Sam Hanner, Michael Harding, Stuart Jones, Mario Lautier Vella, Joe Richardson, Benjamin Senior, Ian Tucknottadvanced-painting-practice-and-discourse/vm200-2627Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue and critical discussion. Focused and intensive studio-based weekend projects (once per month), are interspersed with weekly online tutorials, feedback, discussion and seminars.0000-Available|2026-10-12 00:00:00Recognising the extraordinary range of possible approaches to contemporary painting – practical, intellectual, technical and philosophical – this course is designed help you understand and evolve your own artistic methods and thinking in relation to painting and wider contemporary creative practice. Primarily grounded in the activity of making/doing and reflection, projects will expose you to new ideas and approaches, while critical discussion will help you to develop deeper contextual understanding of your own painting practice in relation to historical and contemporary discourses, and methods.Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue and critical discussion. Focused and intensive studio-based weekend projects (once per month), are interspersed with weekly online tutorials, feedback, discussion and seminars.Intensive, energetic, thought-provoking (and fun!) weekend workshops in our studios will cover, among others, four core contemporary themes: Supports and surfaces; Form, space and scale; Image and automatism; Erasure and addition. <br/>Artist-led projects will provide stimulating and proactive starting points, enabling you to interrogate your own thematic and material interests from fresh perspectives, and to explore different means of bringing agency into your work.<br/><br/>Recognising, presenting and celebrating students' achievements is an important part of our advanced courses. There will be an opportunity to exhibit your work during or at the end of this course, either within the college or at an external venue.<ul><li>more fully and confidently engage with and explore approaches to painting in intellectual, material, technical and thematic terms</li><li>engage with a wider range of painting concepts and critical ideas, through practice, reflection and peer-group discussion</li><li>produce a body of work in response to set project briefs and your own ideas/interests that demonstrates engagement with ideas and processes, and is responsive to critical feedback, at an appropriately advanced level</li><li>recognise the value in incomplete or unresolved ideas or experiments in formative and developmental terms, as a tool to support yourself in taking your practice forwards</li><li>more clearly understand and (for your own purposes) articulate your relationship to your practice in material,</li></ul>This is an advanced course, and is therefore most suitable for painters with a minimum of 2 years independent practice, or experienced painters returning after a break. You will be looking to probe in greater depth, skills and ideas that you have built working independently, and/or on other longer/higher level courses such as, for example, City Lit fine art, Developing art practice, Contemporary painting studio, Contemporary practice personal project, Foundation Diploma.<br/> <br/>You will examine your starting point, and, with the help of feedback from 1:1 tutorials and peer critique, set provisional aims for the course. This critical framework will form the basis of your self-directed study plan, and will be revisited at intervals, with tutorial support. Self-reflection is an important part of art education and practice. You will be encouraged and expected to evaluate and review your own learning, ways of working and progress. As a student on an advanced course, you should also be prepared to engage with concepts, debates and methods that may differ from those with which you are familiar.<br/> <br/>We welcome applications from advanced practitioners (e.g. BA or MA level) in other visual media who have some painting experience and can demonstrate the necessary commitment to engage in discovery-based painting practice.<p>Monthly intensive weekend projects in the studio provide practical focus, including individual tutorial, feedback and group review. These are 10:00-17:00 Saturday and Sunday.<br/><br/>Weekly online seminars: Monday 18:00-20:00 (approximately 3 sessions per month)<br/>In addition to the practical workshops, weekly online seminars provide an opportunity to reflect on practice, learning, and concepts that infuse painting discussion. You will receive an advance programme at the beginning of each term, to include artist-practitioner talks and focused discussions or presentations.<br/><br/>1:1 mentoring tutorials will take place on-line once per term (3 in total), and you will be encouraged to prepare a short synopsis of your current work in progress and meet with your tutor on-line. You will have the option to remain with an individual personal tutor throughout the year, if appropriate and depending on your intentions. This relationship can be particularly valuable in supporting you in, for example, application for a higher-level course, an artist’s residency, setting up an exhibition, or developing effective promotional networks and materials.<br/><br/>Learners will be required to keep a sketchbook and/or journal (or digital equivalent) as a routine part of their individual practice, both as a research tool and a personal space for the capturing, investigation and development of ideas. Occasional set-tasks will involve short self-reflective assignments, and/or presentation to peers.</p>Information received in advance regarding each project will include anything you need to bring or research prior to the class. Basic drawing and painting materials will be provided for studio sessions (acrylic paints, oil paints and mediums, cartridge paper and hog brushes). A full list of materials and studio digital-resources (projectors, laptops) will be made available in the course handbook. <br/> <br/>Students wishing to work on canvas or panels will need to provide their own. Work-in-progress may be left at the college on a term-by-term basis, however you will be reminded to take work away where possible to ensure its safety. You may also wish to continue working on it at home.<br/> <br/>The course will refer to one set-text (book) per term, at an approximate cost of £15 per book (around £50 for the course). This forms part of the delivery and your tutor will advise you in advance of the term starting.<p>Suitable progression routes from this course may include other advanced City Lit courses (eg: Contemporary Fine Art VM551/VM552; Contemporary practice: personal project VM676; Developing art practice VM563), which your tutor will advise, as suits your individual interests and practice. Other options include application to HE courses (BA/MA) in relevant subject specialisms, or practice independently as an individual or as part of a collective.</p>Advanced art & designAdvanced fine artvirtual219927491924VM200ASSXMon+Sat-Sun12/10/26 - 11/07/2710:00 - 17:0010:0017:0039 sessions (over 39 weeks)3911 weeks or longerDaytimeWeekdayBlendedBlended (learn both online and in-person)Bukki Adeyemo, Clare Barton-Harvey, Henry Gibbons Guy, Sam Hanner, Michael Harding, Stuart Jones, Mario Lautier Vella, Joe Richardson, Benjamin Senior, Ian TucknottAdvancedAvailable courses2026-10-12T00:00:00+00:00Oct 2026Art & design27492749Advanced painting: practice and discourseadvanced-painting-practice-and-discourse/vm200-2627Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue and critical discussion. Focused and intensive studio-based weekend projects (once per month), are interspersed with weekly online tutorials, feedback, discussion and seminars.0000-Available|2026-10-12 00:00:00Recognising the extraordinary range of possible approaches to contemporary painting – practical, intellectual, technical and philosophical – this course is designed help you understand and evolve your own artistic methods and thinking in relation to painting and wider contemporary creative practice. Primarily grounded in the activity of making/doing and reflection, projects will expose you to new ideas and approaches, while critical discussion will help you to develop deeper contextual understanding of your own painting practice in relation to historical and contemporary discourses, and methods.Develop your painting in greater depth on this advanced course, working with a team of artist-tutors and a committed network of peer-practitioners, across a set of projects focusing on a range of contemporary themes, processes, and debates. The course is intended for experienced painters with a positive and enquiring attitude to the practices and discourses of painting in its various forms, and a commitment to peer-dialogue and critical discussion. Focused and intensive studio-based weekend projects (once per month), are interspersed with weekly online tutorials, feedback, discussion and seminars.Intensive, energetic, thought-provoking (and fun!) weekend workshops in our studios will cover, among others, four core contemporary themes: Supports and surfaces; Form, space and scale; Image and automatism; Erasure and addition. <br/>Artist-led projects will provide stimulating and proactive starting points, enabling you to interrogate your own thematic and material interests from fresh perspectives, and to explore different means of bringing agency into your work.<br/><br/>Recognising, presenting and celebrating students' achievements is an important part of our advanced courses. There will be an opportunity to exhibit your work during or at the end of this course, either within the college or at an external venue.<ul><li>more fully and confidently engage with and explore approaches to painting in intellectual, material, technical and thematic terms</li><li>engage with a wider range of painting concepts and critical ideas, through practice, reflection and peer-group discussion</li><li>produce a body of work in response to set project briefs and your own ideas/interests that demonstrates engagement with ideas and processes, and is responsive to critical feedback, at an appropriately advanced level</li><li>recognise the value in incomplete or unresolved ideas or experiments in formative and developmental terms, as a tool to support yourself in taking your practice forwards</li><li>more clearly understand and (for your own purposes) articulate your relationship to your practice in material,</li></ul>This is an advanced course, and is therefore most suitable for painters with a minimum of 2 years independent practice, or experienced painters returning after a break. You will be looking to probe in greater depth, skills and ideas that you have built working independently, and/or on other longer/higher level courses such as, for example, City Lit fine art, Developing art practice, Contemporary painting studio, Contemporary practice personal project, Foundation Diploma.<br/> <br/>You will examine your starting point, and, with the help of feedback from 1:1 tutorials and peer critique, set provisional aims for the course. This critical framework will form the basis of your self-directed study plan, and will be revisited at intervals, with tutorial support. Self-reflection is an important part of art education and practice. You will be encouraged and expected to evaluate and review your own learning, ways of working and progress. As a student on an advanced course, you should also be prepared to engage with concepts, debates and methods that may differ from those with which you are familiar.<br/> <br/>We welcome applications from advanced practitioners (e.g. BA or MA level) in other visual media who have some painting experience and can demonstrate the necessary commitment to engage in discovery-based painting practice.<p>Monthly intensive weekend projects in the studio provide practical focus, including individual tutorial, feedback and group review. These are 10:00-17:00 Saturday and Sunday.<br/><br/>Weekly online seminars: Monday 18:00-20:00 (approximately 3 sessions per month)<br/>In addition to the practical workshops, weekly online seminars provide an opportunity to reflect on practice, learning, and concepts that infuse painting discussion. You will receive an advance programme at the beginning of each term, to include artist-practitioner talks and focused discussions or presentations.<br/><br/>1:1 mentoring tutorials will take place on-line once per term (3 in total), and you will be encouraged to prepare a short synopsis of your current work in progress and meet with your tutor on-line. You will have the option to remain with an individual personal tutor throughout the year, if appropriate and depending on your intentions. This relationship can be particularly valuable in supporting you in, for example, application for a higher-level course, an artist’s residency, setting up an exhibition, or developing effective promotional networks and materials.<br/><br/>Learners will be required to keep a sketchbook and/or journal (or digital equivalent) as a routine part of their individual practice, both as a research tool and a personal space for the capturing, investigation and development of ideas. Occasional set-tasks will involve short self-reflective assignments, and/or presentation to peers.</p>Information received in advance regarding each project will include anything you need to bring or research prior to the class. Basic drawing and painting materials will be provided for studio sessions (acrylic paints, oil paints and mediums, cartridge paper and hog brushes). A full list of materials and studio digital-resources (projectors, laptops) will be made available in the course handbook. <br/> <br/>Students wishing to work on canvas or panels will need to provide their own. Work-in-progress may be left at the college on a term-by-term basis, however you will be reminded to take work away where possible to ensure its safety. You may also wish to continue working on it at home.<br/> <br/>The course will refer to one set-text (book) per term, at an approximate cost of £15 per book (around £50 for the course). This forms part of the delivery and your tutor will advise you in advance of the term starting.<p>Suitable progression routes from this course may include other advanced City Lit courses (eg: Contemporary Fine Art VM551/VM552; Contemporary practice: personal project VM676; Developing art practice VM563), which your tutor will advise, as suits your individual interests and practice. Other options include application to HE courses (BA/MA) in relevant subject specialisms, or practice independently as an individual or as part of a collective.</p>Advanced art & designAdvanced fine artconfigurable
11721170Advanced fine arthttps://www.citylit.ac.uk/courses/art-and-design/advanced-practice/fine-art-practice1/2/285/1132/1170/11721/Courses/Art & design/Advanced art & design/Advanced fine art